Today’s I Ching Hexagram for January 14 is 25: Innocence

25: Innocence

Monday, Jan 14th, 2013

 

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Innocence flows from a natural harmlessness, openness and pure intentions, unsullied by ulterior motives. The state of innocence has less to do with age than attitude; innocence springs from a heart that remains open to joy and wonder. Innocence, when guided by a firm faith in what is right, brings supreme success. Naiveté unanchored by an ability to discern right from wrong, on the other hand, brings misfortune.

The hallmark of innocence is a willingness to treat others with compassion and respect in a natural way. Those who possess a pure heart are best guided by their instincts and intuition. Thinking too much makes it difficult to hear the guidance of the heart, the suggestions of a clear intuition. Stay simple and be wary of cleverness.

Your Rune For January 14th is Elhaz

bw-elhaz

 

 

bw-elhazYour Rune For Today

Elhaz       

Elhaz represents your power to protect yourself and those around you. It also connotes the thrill and joy of a successful hunt. You are in a very enviable position right now, because you are able to maintain what you have built and reach your current goals. Enjoy.

Today’s Tarot Card for January 14th is Temperance

Temperance

Monday, Jan 14th, 2013

What is traditionally known as the Temperance card is a reference to the Soul. Classically female, she is mixing up a blend of subtle energies for the evolution of the personality. One key to interpreting this card can be found in its title, a play on the process of tempering metals in a forge.

Metals must undergo extremes of temperature, folding and pounding, but the end product is infinitely superior to impure ore mined from the earth. In this image, the soul volunteers the ego for a cleansing and healing experience which may turn the personality inside-out, but which brings out the gold hidden within the heart. (This card is entitled “Art” in the Crowley deck.)

The Witches Spell for January 14th – Enthusiasm Spell

Blessed Be Comments

Enthusiasm Spell

This is a gift of good mental health, or perhaps a gift   of the stars. People who don’t get enthusiastic miss a lot. This feeling makes   you glow, it makes your blood run faster, it is the fuel that carries you to   your goals. Motivation is another form of this feeling. If you want to become   more enthusiastic about your life, do this ritual every morning just after you   get up and every evening just before you fall asleep.

Get a piece of green stone. It can be jasper, malachite,   emerald, or jade. Rub it with your hands over the smoke from a little incense   (your favorite) and say three times:

Green stone, green star,   We grow, we reach,   We mind, we shine!

Carry the green stone on your body at all times in a little   pouch. Even sleep with it under your pillow!

MONDAY, The Day of the Moon

MONDAY

The Day of the Moon

monandaeg (Anglo-Saxon)
montag (Germanic)
dies lunae (Latin)
som-var (Hindu)
peer or somwar (Islamic)
lundi (French)
getsu youbi (Japanese

This is traditionally viewed as the second day of the week. Although known as ‘Monandaeg’ by the Angle-Saxons it was also known as ‘the day of the moon’. ‘Black Monday’ was the term given to 14 April 1360 which was an Easter Monday. King Edward III of England had laid siege to Paris but was plagued by the weather as it turned foul and dark.. As a result it is said that many men and their mounts were lost in battle. The fact that this event is said to have occurred on Easter Monday is disputed, being later said to have occurred on the Tuesday, but ever since the Monday after Easter has been given this name. On 25 February 1865 a terrifying wind rose up in Melbourne, Australia coming from the NNW. Devastation hit an immense area of land between Castlemaine and Sandhurst, known after by this name. According to tradition it was believed that there were three specific Mondays of the year that were considered to be unlucky. The first Monday in April, the second in August, and the last in the month of December. It is said that Cain was born on the first Monday in April, and that later it was upon this day that he killed his brother Abel. Sodom and Gommorah was said to be destroyed on the second Monday in August, and that it was upon this day in December that Judas Iscariot was born. According to the English historian Richard Grafton certain dates of the month were unlucky as published in the ‘Manual’ in 1565. Days throughout the year were identified and of course could have related to any day of the week. The date was the most important point to consider. The work was reputed to have some credence with support given by astronomers of the day.

READING THE RUNES

READING THE RUNES

 

Runes, along with many other forms of divination can be valuable allies. In preparing to do a runecast you are preparing to  ask your higher self for answers and assistance. There are many factors to take into account when interpreting a runecast, it takes practice. So, don’t  be discouraged if you come up with a few “duds” in your first readings. Because of divinations’ similarity to counceling, I highly recomend  that you practice readings on yourself before doing spreads for anyone else. You should prepare yourself before you begin to read or cast the runes. Start by  relaxing. Find somewhere free of distractions, and then clear your mind of any unrelated thoughts. It is important to concentrate on your specific question  or issue while drawing and casting the runes. Focusing your mind and having a clear intent will greatly enhance the accuracy of your readings. Interpreting a  runecast is like telling a story. Your job is to find the characters, themes, events, and advice of the reading. Take as much time as you need to interpret a  spread, and pay close attention to all the connections. The times I am most satisfied in the accuracy of my readings are when each rune clearly plays a part  in the runecast, or rather when the runecast itself becomes a comprehensable story.

Sometimes the runes will clearly answer your question, and sometimes they will ignore it completely, choosing to focus on  other issues instead. Often times these are issues that you knew existed but didn’t want to face. Look within to see if the runes haven’t met the  mark. Runes (in divination) work by connecting you to that part of you that is in touch with your subconcious, higher self or that part of you that is in  tune with the all. However you want to look at it. Even the most accurate of runecasts can not tell you what is destined to be. They only predict what is  likely to happen based on current information. A negative runecast should never be taken as irreversable, you always have the choice to change your situation  in life. In divination, runes are used to tell you what path you are currently on. Remember, it is always within your power to keep with or alter that  path.

You may use these, or other techniques and rune spreads that you come across. There are an abundance of tarot spreads  available, for example, tarot spreads adapt very well to rune divination. You could certainly form your own spreads and techniques for a reading, or maybe  incorporate methods from various spreads. Generally, the more runes used in a runecast or spread, the more involved, the reading.

Runes are read either upright or reversed. When casting the runes, it is helpful to have a system of deciding which runes you  will consider upright, and which you will consider reversed. I usually interpret all the runes with their top pointing up or to the left, upright; and all  the runes that have their top pointing down or to the right, reversed.

THE ELDER FUTHARK

THE ELDER FUTHARK

 

This is the oldest Futhark – the European common heritage. We don’t know for sure when or by who it is originated, but it might be among  Germanic tribes in the beginning of our era.  


The Elder Futhark has 24 runes. This “runic alphabet” got its name after the sound of what is traditionally held to be the six first runes in this  “alphabet”:  

F – U – Þ – A – R – K

f u th a r k g w Frey’s Aett
Fehu Uruz Thurisaz Ansuz Raidho Kenaz Gebo Wunjo
h n i j ë p R s Hagall’s Aett
Hagalaz Nauthiz Isa Jera Eihwaz Perthro Algiz Sowilo
t b e m l ng d o Tyr’s Aett
Tiwaz Berkano Ehwaz Mannaz Laguz Ingwaz Dagaz Othala

What Is Rune Meditation?

What Is Rune Meditation?

by: Donald Tyson
Before the runes can be effective for works of magic or divination , they must be understood on the intuitive level and made to come alive in the unconscious. This will occur over time  simply by using them, but the process can be encouraged through regular meditation upon the individual rune symbols. Meditation gives the runes reality in  the astral world, where magical forces and actions manifest themselves most clearly to the awareness.
When you carve a rune materially for a magical purpose, you must also be able to cut it into the astral with your will so that it glows and shimmers on the  material where you made the physical rune. When you draw a rune in the air with your right index finger or  magic wand, you must be able to see it sustaining itself with the eye of your imagination. This does not mean that you pretend to yourself that the rune  exists on the astral level, or picture it there in the way you would imagine the face of your cat. Magical visualization is more intense and real than  regular images in the imagination. The magical image persists and can be so real that it appears material.
Meditation on the runes serves the dual purpose of expanding an understanding of their meanings, both conscious and unconscious (this is needed in  divination) and allowing the clear formation of the runes on the astral level (this is necessary in ritual magic).
There are many ways to actively meditate upon the runes. One is to contemplate the forms of the runes visually. Rune cards are an excellent way of keeping  images of the runes before the sight during meditation, where they impress themselves through the eye upon the mind, when the mind reaches a receptive state.  Here I will describe a second technique that I find effective in bringing the meanings and forms of the runes alive.
In preparation you must be familiar with the shapes of the runes, their names and short meanings, their order, the place of each rune in its aett, and its  pair rune. This can be done by playing with a set of rune wands, or ideally with the rune cards, which are excellent for this purpose. Once you have a  general knowledge of the futhark, you are ready to begin considering the runes individually.
To be most effective, meditations should be done in a series at regular times, one per day. It is possible to do two meditations a day if they are separated  in timeófor example, one at noon and one at midnight. If this is done, a pair of runes should be considered each day. However, until you have had some  experience in meditating upon the individual runes, you should not attempt to consider two or more runes in combination at the same time.
Wear loose clothing and take off your shoes, belt, watch, jewelry, and anything that irritates the skin or restricts the circulation. Even if your watch and  earrings do not irritate you during your daily routine, they may be a distraction during meditation. When the mind is stilled and focused, small sounds will  seem like thunder and the slightest itch will become a torment as your mind, like a restless child, seeks any escape from the task you have imposed upon it.
Do not meditate where there is noise or bustle, or where you are likely to be disturbed. Do not meditate until at least two hours after eating a meal. Do not  meditate just before sleep when you are very tired, and do not meditate when you are physically ill, or when your mind is filled with worry, anger, or  frustration.
Find a tranquil place and sit comfortably with your back relaxed but straight. It does not really matter how you sit. I usually sit Japanese style upon my  heels, but some people find this posture hard on the knees. The important thing is that you forget about how you are sitting and concentrate on the  meditation. Face a blank wall or featureless surface. If there is no flat unbroken surface, turn out the lights and the darkness will serve. If you are  outside, face a wall, a distant forested hill, the ocean horizon, or lie on your back and look at the sky – but it is better not to lie down during  meditation. The important thing is that you not be distracted by something in your field of view. Distractions are not necessarily fatal to meditations, but  they disrupt them and delay your progress. There are bound to be distractions in any case – you want to minimize them.
Take half a dozen slow, deep breaths to clear your lungs and relax your body. When you are ready, extend your right index finger and draw the rune you have  chosen for your meditation in the air at a comfortable armís length, making it a size that will fit easily into the center of your field of vision – about 18  inches tall is a good height.
Now try to actually see the rune in the air where you have drawn it. Hold the form of the rune in your imagination, and mentally retrace over and over the  rune you have drawn whenever its strokes become indistinct or slip from your mind. It is not necessary to use your finger to retrace the rune. Pretend you  have a blackboard in your imagination, and an imaginary piece of chalk that you use to continually redefine the rune as it fades.
Runes should always be drawn, both in the world and in the mind, with strokes that move downward and to the right. A little practice will make this second  nature.
During the meditation do not actively try to consider a predetermined list of associations with the runes. These will rise in their own time and order into  the stillness of your consciousness. Hold your attention upon the shape of the rune and your task of keeping it visually before your inner sight. You must  not be thinking of your grocery list while you are doing this. It is inevitable that your mind will wander to other things, but when it does, gently and  firmly guide it back to the purpose of the meditationóan active contemplation of the rune you have drawn in the air. When an idea about the rune itself, its  nature, or its relationship with other runes comes into your mind, consider it, but do not try to force these ideas. Let them rise by themselves.
This meditation should be stopped before it begins to become physically tiring. There is no point in forcing the work. A period of 15 minutes to half an hour  will be about right for most people. Take care that you remain relaxed, your breathing regular, and your eyes focused normally without strain. Strain of any  kind is counterproductive. Only sustained attention is required, and you will find that this is effort enough.
Success is not marked by how many new ideas you have about the rune, not even by how clearly you are able to visualize its form in space, but rather by how  sustained and effortless your awareness of the rune has been during the period set aside for the exercise.
It is a good idea to do these meditations in the same place and at the same time of day. Several meditations, even half a dozen, should be done on each rune,  but these can be mixed up with other runes. You do not have to meditate upon the same rune for six days running – unless you want to, of course. It can be  useful to consider the runes in groups, doing them in pairs, or in families, or even doing the complete futhark on 24 consecutive days, then repeating it  several times. If the sequence of the meditations becomes tedious, mix it up. Boredom should be minimized, because your mind will seize on any excuse to stop  these exercises.
You will soon discover that your mind is without disciplineónot that its discipline is low, but that it does not have any discipline at all. If you try to  force it too hard, it will turn around and bite you. You will accomplish nothing. Firmness, patience, persistence, and an understanding of how your mind  functions are needed to achieve the best results. Be wary of little tricks. You may suddenly find that your bowels are tumbling every time you sit down to  meditate, that your ears itch, that people are constantly interrupting you, that you feel very tired and sleepy, or that the entire exercise seems pointless  and stupid. These are all ways your mind will use in trying to squirm out of doing the work you have set for it.

What Makes Runes Powerful?

What Makes Runes Powerful?

by: Donald Tyson
Runes are the manifest symbols through which rune magic is worked. They can be employed for all of the magical purposes that other magical systems serve, but  they possess unique aspects that make them superior for certain uses.
Because they were forged over the centuries in the same creative fire that shaped the pagan gods of the Teutonic peoples, runes are indispensable in magical  dealings that involve the northern hierarchy. They are a key that unlocks the powers of these gods, and they are a book that unfolds the secrets of their  personalities. Before the rediscovery of runes, the Aesir, lords of Asgard – who number among their ranks Odin, Thor, Tiw, Heimdall, Baldar, Loki, Frija and  Hel – were difficult to integrate into modern ceremonial magic. An elemental wildness distinguishes them from the more civilized gods of Greece and Rome and  the abstract, almost technical natures of the angels and spirits of Hebrew occultism. It would be absurd to invoke the Aesir with Hebrew numerology or Greek  words. Yet before the rebirth of runes, the magus had little option.
Because runes form the magical language of the northern gods and express the forces upon which those gods are framed, manipulating the runes gives direct  control over the actions- not just of the deities but also of the spirits and lesser entities of Norse mythology, which all arose out of the same primeval  crucible of mythic archetypes. They are more than just arbitrary symbols chosen to represent occult forces by the Germanic shamans; each rune contains in its  structure the same essence that is in the god, spirit, or magical potential to which it corresponds. It is the magical name of that god or natural power.     Anyone seeking to contact and communicate with the northern hierarchy – whether for purposes of worship, divination, or active magic – must use the runes. It  is possible to invoke the Aesir without runes, but this is akin to driving a nail with a rock when a hammer is sitting within easy reach. It makes no sense.  More and more, those with Teutonic roots are seeking to know the gods of their ancestors. Runes are indispensable in building this bridge to the past.
Perhaps because they rested forgotten for so many centuries, the runes remain undiluted by modem skepticism and rationalization. Of all the symbolic tools of  magic, they are the most powerful for causing material change in the world. Rune magic makes things happen – often violently, sometimes unpredictably. Most  potent physically, rune magic is also most dangerous to the unwary. The elemental powers contained and defined by the runes are not conscious in the human  sense, but they possess a type of animation and awareness not unlike the self-awareness of animals, plants, or embodied spirits – a watchful, quick,  sometimes malicious awareness that might almost be called mad in its unexpectedness. But madness is a human concept, and the runes are true to themselves and  terribly sane.
All types of occult work that seek material change – or transformations on the human level of emotions and urges that are linked to the body – can be  fulfilled with rune magic. Rune magic also embraces the spiritual level of the human soul, and great works of the spirit are possible using the runes. The  point that should be grasped here is that runes are weighted more toward the physical, tangible end of the scale than any other ancient magical system. It  may be that in their beginnings all magical systems were mainly concerned with material change, but it is only the runes that have descended through time in  their pristine, primitive state.
Another unique aspect of the runes has to do with their structure. Because they are simple letters that can be carried in the head and inscribed on any  surface as easily as the alphabet, they are the most compact and accessible of magical systems. Bulky temple instruments are not needed in rune magic. They  can be written anywhere on virtually anything in moments when an emergency arises. No one can ever take the runes away or destroy them; they live in the  mind.
In their portability runes resemble the Hebrew letters, which are combined into magical names and words of power based upon the numerical values of the  letters in the system of Jewish occultism known as the Kabbalah. At one time each letter of the Hebrew alphabet also had its elemental meaning, independent  of its numerical value. But in modern times, the natural powers embodied in the Hebrew letters have largely been forgotten, displaced by the number values.
As is true of the Hebrew letters, the runes can be combined both occultly in numerical and symbolic groupings and phonetically to form words and sentences.  The same runes can both embody a magical desire in their combination of elemental potentials and explicitly define that desire in words. These methods  complement and support each other, and are frequently encountered together on rune artifacts made for magical purposes. For example, the sixth-century  Lindholm amulet of Sweden bears the intelligible inscription of its magician maker: “I am an Herulian, I am called the Cunning One.” But it also  bears a string of runes that cannot be translated, because they convey only an occult, not a literal, meaning.

The Rune Galdr

The Rune Galdr

 

The galdr is probably both the most powerful and subtle way to access the  magical energy of the rune. These chants have been described as being like a soft-flowing river with a powerful current underneath. Used in every phase of  runic magic together with the form of the rune, the galdr is the main medium through which runic power finds expression. Everyone intones slightly  differently, so feel free to experiment. By chanting and toning a rune, you can better experience and express its meaning.

When learning to galdr, focus on one rune at a time. Observe each rune’s tone, form, flow, and relationship to you and to
the other runes. Trust your intuition, and decide when to sing
each rune as a song in and of itself, complete with melody and a beginning, middle, and end, and when to sing the rune by toning only one note. There is no  right or wrong way to galdr.

When you galdr, breathe from your diaphragm and really stretch out the sound of each rune, toning as many consonant/vowel combinations as possible.  For example, Fehu can be sung as “Feeeeeeee,
Faaaaaaaa, Fuuuuuuuuu, Faaaaaaaayhuuuuuuuuu!” (akin to the giant’s
“fee-fi-fo-fum” as he counts his golden coins, a symbol of mobile
wealth). Draw out and expand each of the vowel sounds, exploring
all registers and resonances in your voice. Discover where each
rune fits in your vocal register, and note where you feel it in your
body. Above all, remember galdring is a lot like learning how to sing
for the first time. Relax and enjoy the process. Galdring together
with your children, in the woods or at the ocean, can be great fun. As
you become proficient, you can combine the chants of several runes into
one song. With 24 runes in the Elder Futhark, there are many possible
combinations, but generally galdr songs using one rune, three runes, or
nine runes work best in magic. Be aware of the numerical significance
of the combined runes when crafting songs.