Tag: Samhain

You might be a Redneck Pagan if…

*Couldn’t resist. I love these!*

You might be a Redneck Pagan if…

  • If you think “widdershins” refers to the calves of the bereaved lady next door….
  • If you think fetch deer is a command you give yer dawg….
  • If you think a goblet is a young turkey….
  • If you think Drawing Down the Moon means demolishing the outhouse….
  • If you call your coven mates “Bud” and “Sis”….
  • If you think a Great Rite is turning onto County Road 13….
  • If your Quarter candles smell like kerosene….
  • If you pronounce “Athame” as “Athaym” and “Samhain” as “Sammon” or “Sam-hayn”….
  • If you think a “Sidhe” is a girl….
  • If your idea of the “Goddess” is the Coors Swedish Bikini Ski Team….
  • If your Bard plays the banjo….
  • If your ‘Long Lost Friend really IS….
  • If your lawn is decorated with at least one, preferably two or more, plastic pink flamingos, whom you regard as your familiars….
  • If your Wand of Power is a cattle prod….
  • If your ceremonial belt has your name on the back and a belt buckle bigger than your head….
  • If you call the Quarters by invoking “Billy, Joe, Jim and Bob”….
  • If you call the Gods by hollerin’ “Hey y’all, watch me!”….
  • If your favorite robe has the logo of a manufacturer of major farm equipment on the back….
  • If you’ve ever harvested ritual herbs with a weed wacker….
  • If your ritual staff is a double barrel shotgun….
  • If your ritual garments include any one of the following: plaid flannels, long johns, a pistol belt, or cowboy boots….
  • If you’ve ever blessed chewing tobacco or snuff….
  • If your ritual wine is Maddog 20/20, Night Train or White Lady 21….
  • If the instructions to get to your Covenstead include the words “After you turn off the paved road”….
  • If your altar-cloth is a rebel flag….
  • If you use junk cars to mark the four corners of your circle….
  • If your Eternal Flame just happens to be under a still….
  • If you use an engine block for an altar….
  • If your High Priestess is your cousin – as well as your wife….
  • If, when drawing down the moon, you say, “Ya’ll come on down, ya hear?”….
  • If your pickup truck has an Athame rack….
  • If your crystal ball is made of polystyrene (i.e., a bowling ball)….
  • If your High Priestess has a spittoon on her altar….

You might be a Redneck Pagan!

Pocket Guide to Witchcraft

Pocket Guide to Witchcraft

Copyright Frater FP 1999

Last Modified 17/Oct/99

 

Pocket Witchcraft

1.Go for walks in the country and town (nature is everywhere)

2.Learn about the phases of the moon

3.Learn about the agricultural cycles and festivals

4.Learn about the astronomical cycles and festivals

5.Learn about herbs and healing

6.Practice candle magic

7.Intuitively develop your concept of a God and Goddess to represent Nature

8.Spend time outdoors or indoors making a shrine to these divinities

9.Worship these divinities in a suitable manner

10.Practise the healing and spellcraft you have learnt in the community

 

Notes

Witchcraft, Wicca and Paganism; you’ll need to decide what aspect to follow. In my view, Paganism

encompasses all aspects of a pagan lifestyle, and suits those with a view to bringing their entire life,

family and career into a pagan (country-dwelling) perspective. Witchcraft is the magical aspect of the

pagan lifestyle, and can be studied independently of becoming a Pagan – although many Pagans are

Witches, you don’t have to be a Witch to be a Pagan! Wicca is a more generic term for a modern angle

which takes from both Paganism and Witchcraft to make a blend more suited to a modern lifestyle and

modern mindsets. Many people become Wiccans before becoming Witches or Pagans! There are many

ways of looking at these definitions, of course, but the important thing is to establish your own personal

relationship to nature and the environment, and the courses of time and seasons – this is the heart of

the tradition. Having a representation of the God and Goddess is also a matter of personal orientation.

Some prefer Pan, an all-begetting, all-devouring masculine God, whilst others prefer Hecate, who can

be cruel and severe, or take the aspect of a gracious grandmother!

 

In Real Life …

The book ‘Drawing Down the Moon’ established in a survey that many following Pagan Paths were

working in the technological or educational sphere of work. There are many ways of integrating your

personal beliefs about paganism into your daily life, no matter how urban it might be. Remember, there

are now often as many foxes roaming towns as there are in the countryside! At my desk at work,

wherever I have worked, I have always had a bowl into which instead of paperclips or pot-pouri I have

placed items to remind me of the season. At the moment, approaching Samhain, I have an autumn leaf,

a small twig, a horse chestnut (conker) and a slightly rusting nail I found on a walk. The nail represents

the passing of summer, of course, but the whole piece is a small altar, where the bowl is the Pentacle,

the twig the Wand, the Horse Chestnut the Cup (it’s a hollow ).

The Preliminaries to Cast a Spell or Setting up a Ritual

The Preliminaries to Cast a Spell or Setting up a Ritual

  

As when organizing a party, it is important to spend a little time planning your spell casting. Think about the precise purpose of the spell, the best time, most appropriate setting and for whom the spell is being cast. For a ritual you need to consider the underlying as well as the obvious focus of the ritual Do you need to change the emphasis of a tried and tested format? Even a seasonal rite will have a theme, for example the May eve/Day celebrations have traditionally been associated with fertility. This fertility applies in whatever way it is needed, whether personally, ecologically or globally. Therefore you and the guests or participant should decide in advance precisely what you are working towards and carry out rituals to take advantage of the prevailing energies.

Location is important even for a quickie spell. You wouldn’t set a child’s birthday party in the same place you would your great-aunt’s golden wedding. With open air spells or rituals you need a wet weather or sheltered location plan just in case a force 8 gale blows up. Some spells can be planned in advance for a day out or weekend away, but others will be spontaneous, when you happen to come across a perfect location while on your way to somewhere else. There are also urgent occasions when you will have to imagine that crashing sea while stood by the local canal at lunchtime. The timing of a spell is also vital.

Before you cast the spell you also need to decide how long you want the effects of the spell to last and how quickly you need results. Do you want an immediate infusion of power within the 24 hours following the spell? Will the effects take longer–before the next full moon, within three months? You should build this time frame into the spell and declare it in the purpose of the spell.

Should it be a single spell or one carried out, for example, every Friday for a month or on the three days before the fulll moon in order to build up the powers?

Then you need to decide on the symbol or symbols that will act as the focus for the spell energies (you can’t dance and chant round a would-be lover in the office).
Do you need to emphasize any one element in the spell? Is the spell mainly fire based for power or is there a fairly evenly spread elemental mix, for example to resolve a long-term justice or court matter.

You need to think about any special props, magickal tools or substances that are required. After all, you wouldn’t use the same chine or serve the same food at your teenager’s post-exam party as you would if the boss was coming to dinner. Do you want a full altar or will it be mainly a word- or personal-movement-based spell? If on a beach or in the woods, can you use what you find there as tools and symbols?

Finally, who are you inviting to your spell or rite? The friend who has lost the animal you are casting the spell for? Your sister to help you with a love spell? Are you organizing a welcome-into-the-world party for your family, to celebrate the birth of a baby to a family member who lives in another country? Are you entrusted with the organization of your magick group or coven’s autumn thanksgiving?

If you work alone, as many witches including myself do most of the time, you’re still not a magickal Billy or Betty No Mates. You won’t be short of spiritual company. You can welcome the guardians of the four quarters even in a relatively simple spell; invite the wise ancestors to celebrations such as Samhain or Hallowe’en or New Year.
As for the nature essences, whenever you work outdoors or even indoors in a circle of pot plants (my favorite setting on a really foul day) they will be curious. So invite them in and benefit from their energies.

A Sip of Inspiration

A Sip of Inspiration

by Miriam Harline

Invocation/Meditation

You are in a dark room, empty of furniture, a box of wood rough-hewn. The window looks out on night. You smell woodsmoke, though there is no fire. You are cold, and you huddle on the floor, wrapping your arms around yourself.

The door opens, and standing in the doorway is a woman with long blonde hair. She wears a white dress, hanging in graceful folds, and no shoes. In her hand is a white candle, burning. “Rise,” she tells you; you do, and follow her.

Outside hangs black night, a sky dusted with stars, no moon. The ground is cold, frozen hard, but there is no snow. You follow the woman down a narrow path. To either side rise hills, grass tan when the candle shows it. You walk down; the stones under the hills begin to show to either side. Beside you, slowly, rock walls rise.

The walk down turns steep. You smell salt, hear waves crash. The land flattens, and under your feet is sand; you are on the seashore.

Ocean water pours across the sand, a margin of foam at its edge. The candlelight glows, a yellow globe on the water. You follow the woman still; you turn and walk above the surf. It is low tide.

A cliff rises ahead, to your left, and in the cliff you see a black mouth, a cave. It is so dark, black on black, you feel some fear. But the woman walks right up to it, enters the tall mouth, twice her height. You walk after her into the cave, still on hard-packed wet sand; when the tide is high, the cave floor must be covered in water.

The path of sand narrows between rocks; you continue along it. You turn a bend, and behind you can no longer see the sea, but you hear it still, rushing, sighing.

You walk on. To either side rise black walls of stone, occasionally veined with red. Ahead, as the path curves, you see not darkness, but golden light.

You turn another bend, and the cave ceiling rises; you are in a vast room, lit by candlelight. Before you is a line of eight women robed in white, all holding white candles.

One woman steps forward. She is blonde, like your guide, but taller, older, in the prime of womanhood. Her face is still, not smiling, full of pride. “Greetings,” she says. “What is your name?” You tell her.

“Why have you come here?” she asks. Your eyes go wide, because you have no idea; you were waiting, and were summoned, but you do not know why. But your guide steps up and whispers in your ear, “For inspiration.”

You repeat, “For inspiration.”

The woman who greeted you smiles; you have made the right answer. “Very well,” she says. “Come forward.”

All nine women turn, move further into the cave, form a circle. You see in its center a huge cauldron, waist-high, its legs straddling a fire. The cauldron is boiling, and from it rise rainbow bubbles that pop in the air, leaving a smell of spice and honey. “This is the cauldron of inspiration,” your greeter says.

Two women in the circle loosen their hands and beckon to you. You pass by them, and the circle rejoins around you. You stand before the cauldron. “Drink from the cauldron,” the greeter says.

Drink? you say to yourself. But the liquid in it is boiling. I will boil my hands. “Drink,” she says. “That is why you are here.”

You look around, in fear. These people are crazy. Then you catch the eye of the woman who guided you, and she smiles very slightly. You sense there is some magick here. Foolishly or wisely, you lower your hands into the cauldron.

The liquid is just cooler than lukewarm, delightful, like a bath on a hot summer day.

You cup liquid in your palms, raise it to your lips. The smell of spice and honey fills your nostrils. The liquid seems to shine upward into your face, rainbow colors. You sip.

An explosion goes off in your head. You fall backward onto the ground. You see stars, moons, suns, rainbows flare; a stream of firework, many-colored, falls from the sky. You hear music, whispers, laughter; someone close is speaking in your ear, you can almost make out the words….

After a long time, you wake on the floor of the wooden house. All is dark, and your head hurts. But now the house is warm.

Use Imbolc to Ask for Brighid’s Inspiration

Use Imbolc to Ask for Brighid’s Inspiration

by Melanie Fire Salamander

At a Northwest Imbolc, grey days pass under grey skies. The furor of the solstice holidays is over, and cold and rain face us for the next six weeks, or six months. Here, Imbolc lacks even the bracing snow of winter. Nor is it time for flowers and fresh breezes. A few crocuses may poke their heads above ground, but Imbolc, the first pagan holiday of spring, doesn’t speak of spring’s fulfillment, rather of spring’s promise.

Imbolc is the pregnancy of spring, the first stirring of seeds sown in autumn. One derivation of the holiday’s name, which is taken from the Irish, is “in the belly,” according to R.J. Stewart in Celtic Gods, Celtic Goddesses. Animal life also begins to stir. Around Imbolc, ewes begin to lactate, a time important to hungry traditional peoples. This association is reflected in medieval European writings. Cormac’s Glossary, composed around year 900, derives “Imbolc” from “sheep’s milk,” Ronald Hutton writes in The Stations of the Sun. In the tenth- or eleventh-century Irish tale “The Wooing of Emer,” this holiday is called “Imbolc, when the ewes are milked at spring’s beginning.”

At Imbolc, early Europeans also rendered fat for candles, having saved the fat from meat eaten through the winter. Hence the holiday’s alternate name Candlemas, from the Christianized version of the day. Christian Europe observes Candlemas with candlelight processions, parades that may hark back to ancient torchlight ceremonies for purifying and reviving the fields at spring sowing, according to Funk and Wagnall’s Standard Dictionary of Folklore, Mythology and Legend. The February ceremonies of the pagan Romans were also rites of cleansing and preparation for the coming year. Likewise, February 2 is the Aztec New Year, observed with early-spring agricultural rites and renewed fires. After other purifications, covens at Imbolc traditionally initiate new witches.

Around the Northern Hemisphere, Imbolc is a time of beginnings, of hopes for success in the coming year. But hope is double-edged; the ancient Greeks put it into Pandora’s box with other human ills, a lying daemon. In this grey weather, it’s easy to see hope as a lie. Of all holidays, Imbolc is the most based on faith. If you don’t feel faith, if you lack inspiration, Imbolc is a good time to seek it.

Brighid’s Day

Imbolc comes strongly associated with a Celtic goddess who oversees inspiration. The Irish, Scots and Manx considered this holiday to belong to Brighid or Bride (pronounced breed), a patroness of smithcraft, healing and poetic inspiration whose name can be derived from the Gaelic “breo-aigit” or “fiery arrow.”

Brighid’s attributes are many. She was known as a smith and fighter, patroness of the armies of Irish Leinster. As a healer, she rules wells and streams. Worshippers in medieval times walked around her holy wells deosil (sunwise) on hands and knees and left valuable pins or buttons in the water, or hung rags in the trees nearby, asking for relief.

An Irish celebration of Brighid’s day reflects another healing aspect. In this observance, Hutton writes, a family would hold a formal supper, during which they would place food, usually cake or bread and butter, on the windowsill as a gift for Brighid. The family might also leave a cloth, garment or ribbon on the sill overnight, asking Brighid to bless it. Family members would wear it later in the year to prevent headaches.

Brighid also oversees childbirth. In the west Scottish Highlands as late as 100 years ago, midwives would bless newborns with fire and water in Brighid’s name, Caitlin Matthews reports in The Encyclopedia of Celtic Wisdom. Fire and water come together also in Brighid’s water, which you make by plunging a burning coal into water while asking for the goddess’s blessing. The water, used to anoint and purify, combines Brighid’s natures of smith and healer.

Brighid’s midwife aspect perhaps conceals an earlier goddess of fertility, a corn-mother, as shown in the tradition of Bride’s bed. To create this bed, Pauline Campanelli in The Wheel of the Year has you decorate a grain maiden made at the autumn equinox or from the last harvest’s wheat or corn. You dress the maiden in white, lay her in a basket and set across her a priapic wand — an acorn-tipped wand of oak — twined with ribbon, so that wand and bride form an X. You then place lit candles to either side and hail the maiden with a chant, or incorporate her into a ritual saluting the fertility of the coming spring. After the ritual, you undress the maiden and at sunrise place her on your dwelling’s front door. There she forms an amulet of prosperity, fertility and protection, which can remain till the next Samhain.

The Celtic traditions behind this pagan practice are many and varied. In the Isle of Man, according to Hutton, followers of Brighid left her an empty bed in a corner of the house or barn, beside it bread, cheese, ale and a lighted candle. In the Scottish islands of the Hebrides, where householders made a figure of Bride from oats, families would leave her abed overnight and look for an impression of her wand in the hearth ashes the next morning. A mark meant a good crop and a prosperous year, and a footstep was held marvelous, but if nothing appeared the family took it as a bad omen. To avert misfortune, members would bury a cock at the junction of three streams or burn incense on their hearth fire.

Elsewhere in Ireland, people plaited a criosog Bridghe, St. Brighid’s cross, of rushes or straw, hanging it on Brighid’s Eve over a door or window or in the rafters to welcome her. Others set their crosses in stables to ask for blessings on the animals. The Irish left their criosogs up through the year, replacing them the next Brighid’s Eve.

Besides giving health and agricultural fertility, Brighid lends clear sight into the future and creative fertility. According to Matthews, she presided over a special type of Irish augury called a “frith,” performed on the first Monday after a cross-quarter day, such as Imbolc, to predict what the year’s next quarter would bring. Brighid was said also to inspire poetry, and many Irish poems hail her. Cormac’s Glossary calls her “a poetess… the female sage, woman of wisdom, or Brighid the goddess whom poets venerated because very great and famous for her protecting care.” Matthews attributes to her the “nine gifts of the cauldron” mentioned in the Irish poet Amergin’s “Song of the Three Cauldrons”: reflection, lore, research, great knowledge, intelligence, understanding, wisdom, meditation and poetry. If inspiration is what you seek at this grey Northwest Imbolc, Brighid is a good goddess to turn to.

A Ritual to Seek Inspiration

This ritual is to find hope and inspiration in a project or your life as a whole. Before you start the working, I’ll ask you to spend some time in journal work and meditation. For these and the magickal rite, give yourself at least one undisturbed hour (two is better). Turn off the phone, and put your pets in another room.

A good time for this ritual is first thing Imbolc morning. If that doesn’t work, try the night before, or during a waxing moon. It’s best done in spring, but don’t let the season prevent you from doing the ritual if you want.

Have on hand:

  • A white or pastel candle to meditate by, and a candleholder for it.
  • Paper and pen to create a journal entry and for use during meditation. (You can create the initial journal entry using a computer, but you’ll definitely want the old-fashioned tools later.)
  • A cauldron or earth-filled bowl large enough to contain a burning piece of paper safely.
  • Anointing oil or Brighid’s water.
  • A candle of a color that says inspiration to you, possibly rainbow-colored, silver, gold, lavender or
    green — use your own personal associations.
  • A candleholder for this inspiration candle.

Journal Work

First, create a journal entry looking at what you’re thinking and feeling. Whether or not you keep an ongoing journal, writing about your thoughts and emotions helps clear your head before a ritual and make sure that unconscious ambivalence doesn’t color your work. Even if you already know what’s in your head, getting your feelings out on paper may reveal new information or connections. And the simple act of formally acknowledging a thought or emotion by writing it down can help that energy move.

So ask yourself: How do I feel? Why?

Next, ask yourself: What do I want out of this ritual? Write the answer on a separate page as a single, formal statement; this will be the statement of your working.

Then ask yourself: What within me stands in my way? What benefits do I get from not succeeding here?

This ritual assumes you are already dealing with any practical roadblocks preventing your success. For me, it’s rarely the outer blockages that most hinder me — it’s the inner ones.

So look at the inner urges that block your desires. As they come up, don’t judge them, if you can avoid it. These shadows all exist for a reason. If you can honor these urges, understand them, talk to them, promise they will be met in some way other than preventing your success, you will clear the way for inspiration.

On a separate piece of paper, write out a list of your inner blockages for use in meditation, following.

Meditation

To meditate, start with relaxation. Light your white or pastel candle, and sitting in front of it relax your whole body. If this doesn’t come easily, try tensing each body part, then releasing it. (For more meditative techniques, see other articles in this issue.) Looking at the candle flame — if you don’t want spots before your eyes, look at the base of the wick — take 20 deep breaths, breathing into your belly, saying to yourself that each breath relaxes you further. Count each breath.

Once relaxed, ground and center. Make your grounding cord strong and deeply rooted, and center yourself in the middle of your head — your third eye, a neutral space. Neutrality is a good tool when looking at inner blocks. Next, create a protective energetic circle around yourself in whatever way you prefer.

For the following step, give yourself some latitude. Don’t force yourself to do work you’re not ready for; doing so will enforce rather than clear obstructions.

From your list of inner blocks, choose one. Let it be personified in a way that you can be neutral about — not a monster, simply a presence. Then ask the block in meditation: What do you want?

For me, the answers to this question always surprise me and usually simplify matters. What your blockage will usually want, first, is acknowledgement. Then it might have some specific request. Nine times out of ten, at least for me, such requests can be dealt with in ways that allow me to move forward with my desired goal.

On a separate piece of paper, write down what the block wants. If you can, promise to fulfill that need, but at very least write it down for your knowledge.

Thank the block, bless it and let it go.

Then choose the next block on your list (unless you have only one), and repeat the process, collecting all the blocks’ requests on one sheet.

When you’re done figuring out what your blockages want, briefly decide how to address the requests. Often the action required is something simple, such as recognizing and honoring a formerly hidden emotion. Sometimes addressing the blockages’ needs will take further practical or ritual work. The answer isn’t to do the work right now, but to make an honest commitment to do it over time. If you don’t feel you can do what your blocks request, at the very least promise to keep thinking about the issues raised till solutions can be found. However works best for you, make a commitment to do the work to satisfy and thus release these blocks.

Write that commitment down on the page with the blocks’ requests, fold the paper and, when you can, set it in some place you will see daily, such as on your altar.

Now ground and center once more. Connect with the energies of earth and sky, and from the sky draw down cleansing, healing energy. Let it meet healing earth energy within you, and fill yourself completely with healing and comfort. Wash any pain or negative emotion down your grounding into the earth. Take time to do this slowly and fully and come back to equilibrium.

The Rite Itself

Now that you’ve done your personal work in journal and meditation and cleansed yourself, it’s time to ask for inspiration from the goddess.

Connect again with your grounding, center yourself and renew the circle around you, this time so as to work magick. Call the elements, directions, fey or all three to your circle as you usually do.

Now call to your circle the Celtic goddess Brighid. Do so in a speech inspired in the moment; call to her from your heart. The description earlier should give you a feeling for her attributes and nature. Call her strongly; let her fill your circle.

Besides your original journal entry and the page listing your blocks’ requests and your commitment, you should have two slips of paper: the list of the blocks themselves and your formal statement of ritual intent. From that statement, read aloud what you want this ritual to do. Feel free to amend your statement based on what you learned from journal work and meditation.

Now take up the list of things obstructing you. Say aloud the following, or something like it:

“To do (my project), I have committed to satisfy these blocks. Having made that commitment, I release them.”

Focusing on letting go your inner blocks, fold the page and light it in the flame of your meditation candle. Let the flame burn up everything that stands in your way. Drop the burning page in your cauldron or earth-filled bowl, and watch till it flares out.

Now pick up the anointing oil or Brighid’s water. Hold it above your head, and call out the following or something similar:

“I dedicate this (oil or water) to the Goddess Brighid and her brilliant inspiration!”

With the dedicated oil or water, anoint the candle you’ve chosen to represent inspiration. Holding the candle above your head, stand and raise the energy of inspiration either by toning wordlessly or by chanting:

“As this candle flames and fires,

Let me be renewed, inspired.”

Pour energy into the candle, imagining yourself filled with inspiration and hope. Imagine too the goddess lending you her aid.

When you have sent the power you raised into the candle, touch the surface below you and ground out any excess energy. Set the candle in its holder, ready for use. Then thank and release the goddess and other entities (directions, elements, fey), and take down your circle.

Light the candle whenever you work on the project you created it for, or whenever you’re in need of inspiration or hope.

Mind/Body/Spirit Cleansing for Imbolc

Mind/Body/Spirit Cleansing for Imbolc
By: Lotus Moonwise
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Although Samhain is commonly considered to be the Witch’s New Year, Imbolc has always felt more like New Year to me. After going through winter “hibernation” mode, this is the perfect time to start clearing everything out, moving some energy around and making way for new things to come in Spring. Ever since I started practicing the Craft, this has been my favorite Sabbat of all because it brings Change, which I am so very fond of. Stagnation blocks creative power, so I usually do some kind of total cleansing at least twice a year, but preferably every quarter.
I like to set aside one or two weeks before Imbolc for this cleansing process, so that by the time the Sabbat rolls around, I’m fresh and new and ready to invite the new energies in. Here are some ways to cleanse yourself and your space:
Your Home:
· Do a total house cleanse, dedicating at least one day to each room.
· Go through each room and move everything. Create a system of organizing. Divide things into categories of what you know you want to keep, what you know you can let go of, and what you’re not sure about. Also, as you go through the rooms, if there is anything that is not where it belongs or anything that doesn’t have it’s own place, set that aside for now.
· Be honest with yourself and let go of things you no longer need. If there are clothes in your closet that you haven’t worn in a year, chances are you can let them go. As time goes on and our energy changes, our styles change, too. Make sure that everything in your home matches who you are NOW, not 5 years ago.
· If you come across anything that is broken, either repair it or replace it. Broken items in the house bring down the vibration. Remember that your house is a mirror of your soul.
· Once you’re sure of what you want to keep, start arranging those items in a way that is pleasing to you. Take time to sit in the room and meditate. If you pay attention, the room will tell you want it needs. Often it is something much simpler than you might expect.
· A good way of increasing abundance in your life is to create an altar somewhere in a direct line from your front door. When energy comes into your life/home, it comes in through the front door. In my home, the front door and the back door are in a direct line. As I did rituals to increase abundance, I noticed that the abundance was coming in, but it was also going out very fast. Extra expenses would just keep coming up. It was “easy come, easy go”. An altar situated between those two doors would magnetize the energy and anchor it into the house.
· Clean and re-dedicate your altars. Also cleanse and re-consecrate any ritual tools that you use.
· Placing a piece of rose quartz near your bathroom mirror is a good way of helping increase your self love and self esteem. You can also write some affirmations on an index card and post them here, since this is a place you’re likely to see them everyday.
· To keep the abundance coming in, you need to complete the cycle by giving. Take the items and clothing that you no longer use to a donation center or a shelter. A continues outflow of energy insures a continuous inflow.
Your Computer:
· This is also a good time to go through your computer and get rid of some clutter. Go through your email files, internet bookmarks, files saved on your hard drives and see what you truly need and what can be deleted. Organize the stuff you do keep into folders so you can easily find them when you need them. Many times I have done this and found useful things that had gotten lost in the mass of clutter. Clearing everything out also means your computer will work quicker and this is a metaphor for your mind working more efficiently. Once everything is clear, it’s a good time to back everything up to prevent it from being lost forever if something happens to your computer.
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Your Body:
· This is a great time to get a makeover. Maybe you want to try a new hairstyle or try out a new style of clothing. Making changes can be very uplifting and that energy will carry over into all your creative projects.
· Address any medical concerns you have. Get a checkup, maybe do a spring “fast” or undergo a detox program.
· Meditate on what you need to do to nurture wellness in your body. Talk to your body – it knows what it needs to heal itself and if you listen, it will tell you. Sometimes what your body truly needs goes counter to the generally accepted ideal of what is healthy. Trust yourself. Each person and each body is unique, and the best source for answers about you… is YOU.
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Your Emotional/Mental Self:
· This is a very important part of a total cleanse. If you don’t already, start keeping a journal. Start to observe the thoughts you have. Do this without judgment or analyzing yourself – just observe. Notice if your self talk is nurturing or hurtful. If you notice negative thought patterns, write some affirmations to counteract these and say them daily.
· Write all your fears, concerns, hopes, dreams. Get clear about what you want this year, what you don’t want this year, and what steps you can take to achieve your desires.
· This is a great time for divination focusing on the coming year.
· Create a visual representation of your goals for the coming year. I love to make collages, or what some call “treasure maps”. It’s a collection of images and phrases that becomes a powerful focal point for your energy. Put these up in places you’re likely to see them often.
· You can also do a collage as a way to release your fears. Do that same thing, gathering images and phrases that represent your fears. Then you can either bury this or burn it.
· Another technique that is helpful in clearing out emotional clutter is the Emotional Freedom Technique (EMT) The “Personal Peace Procedure” is a very thorough way of getting to the core of your fears and blocks, and releasing them in a pain free way.
· Write a “Statement of Intent” that outlines your personal philosophy on life and spirituality and your intention of how you will embody that philosophy in the coming year. This is a commitment you make to your self, your Spirit, and the Universe as a whole. Re-write this statement annually, since we are constantly changing, learning, and growing. Keep this statement in your Book of Shadows.
Doing all or some of these things will create a “clean slate” feeling. Then when you invite Brigid into your space on Imbolc, you will feel empty enough to be filled with Divine inspiration and creative fire.
About The Author: Lotus Moonwise is a Priestess of the Order of the White Moon, and is currently studying to receive ordination as High Priestess. She leads a small family coven. Lotus is a Shambhala Reiki Master/Teacher and offers online classes and attunements. In addition, she is studying to become a licensed massage therapist and lives in Oregon with her husband, three children, and two cats. Contact her via email at lotus@…

Earth Witch Lore – Crossroads

Earth Witch Lore – Crossroads

 

Crossroads are considered sacred in almost all magical traditions. A crossroads is a universally accepted place to hold rituals, leave offerings, or dispose of items you wish to be rid of. While this is not a natural creation but one that is homemade, it still falls in the realm of earth.

 

It is believed tat Hecate rules over the three-way crossroads. She can see the past, present and future, It is said that if you should approach a three-way crossroads at night, you would hear her black dogs howling. Her altars have been erected at such places for centuries.

 

The four-way crossroad are considered to be powerful because all four directions meet at one point. Dirt, rocks and sticks gathered from such a crossroads are said to have powerful spiritual connections, albeit tricky ones to master. In Greek myths, Oedipus met his fate at the crossroads. From the Yoruban people we have Legha (a god known for his clever tricks) ruling the crossroads.

 

Ancient people were afraid of what it meant when one direction met another direction. All manner of folklore is available concerning the crossroads. Fairies are said to hand about there, along with ghouls and goblins. Even the Christian Satan is said to roam the crossroads.

Earth Witches know that a crossroad is actually a place of sacred transformations, manmade or not. Frequently they see them as a metaphor for transformational points in our lives. In such a capacity the crossroads relate to time.

A Samhain Meditation for your Ancestors

A Samhain Meditation for your Ancestors

A journey of Memory and what it means to face Death..

We’re going on a journey, that you may find difficult. If at any time, you feel you do not wish to continue, please wait quietly, then turn to the south, and you will see a path leading back to the safety of your grove.

Make yourself comfortable, and breathe slowly from your stomach, and clear your mind of all disturbing thoughts.

Enter your sacred grove and stand in the EAST, for you are beginning a journey of memory. Allow yourself to absorb the peace and tranquillity of your space. You hear a beating of wings and feel the touch of cold air on your face. A Raven flies around you, leading you NORTH-WEST, where it alights on a gate and waits, its coal black eyes watching you. Walk towards the gate and stop. Do not fear the Raven, for it is another aspect of the Cailleach. She comes to you now, to guide you. Put your hand on the gate and open it. As you walk through, cast back in your memory to when you were a baby, a young child and remember something good about that time.

Walk through. There is nothing before you but a black, empty void. Do not be afraid. The Raven flies ahead of you, drawing you on.

As the gate closes behind you, remember when you were at school. As you remember, follow the Raven into the darkness until you come to another gate. Place your hand on this gate, and remember the good times of your school days, and when you were a teenager.

Open the gate, and walk through. There is nothing before you, but a black, empty void. Do not be afraid. Allow the Raven to be your guide.

As the gate closes behind you, remember your first job, your first love. Walk slowly forward into the darkness, remembering the feeling that you had when you left your home for the first time. The Raven circles you and leads you to another gate. Place your hand upon this gate and remember the agony of your first love, the apprehension you felt on your first day at work.

Open the gate and walk through. Before you is dark, a black empty void. Do not be afraid. Let the Raven guide you, for you are not alone.

As the gate closes behind you, remember the first little sparrow that you ever saw; the first notes of a blackbird’s song in the twilight; the first buttercup that you held beneath your chin; the first drop of rain on your face, and the first breath of wind in your hair. Remember the blue sky and the golden sun, the silvery moon and the cotton wool clouds skimming overhead. Walk slowly forward into the darkness, hearing the beat of the Raven’s wings, until you come to another gate.

Place your hand upon this gate and remember the seasons as they changed throughout your life; how each season affected your moods and your emotions; how the snows covered the earth, and the frost killed off the autumn flowers.

The Raven sits on the gate, looking at you. Now you will know and understand that Death is all around us. The death of a bird from the scattered feathers on a lawn, the dying breeze as the clouds move onwards. The Death of the sun as it sinks in the West and its re-birth each morning in the East. Seeds planted to bring new Life, yet they come from the death of the flower or nut. Death is in the seasons, as each gives way to the next. Death is part of Life, as the old gives way to the new.

Open the gate and walk through. Before you is dark, a black empty void. Do not be afraid, for the Raven flies beside you.

In the distance you see a door, of shimmering colours. STOP! Do not touch it. Do not open it. Do not approach it at this time, for this is the final gateway that each of us will pass through, when our time comes. It is not yet.

Now turn around slowly, and gaze back through the gates that you have opened and passed through. You will see a silvery line of footprints that mark your journey through life. And if you look past the very first gate, you will see other silvery lines, footprints that belong to your ancestors. Each gate was a death. An ending of a way of life for you, and each gate was the beginning. Think about Death, not in a morbid way, but as a positive beginning that we must all face. Each has a purpose in Life, and each will have a purpose in Death. Live your Life to its fullest because your Ancestors made it possible. And when your time comes, know that it is not the end, but the beginning of a new existence.

When you are able to accept this, then the Cailleach will be able to give you her wisdom and help you through Life. When you can face Death with a free will, then you will be able to live Life to its fullest, for you will be free of Death’s burden.

Look around for the Raven, it is flying SOUTH, where you see a sunlit path leading back to your grove. If you have stopped along the way at any point, do not worry, for you will now see a sunlit path leading SOUTH back to the safety of your Sacred Grove.

When you are comfortably back in your Grove, relax, become aware of your surroundings. As you return to the present time, think about your memories, and consider whether there is anything you should have done. Something that needs finished; perhaps a quarrel that needs to be mended; or saying thank you to someone who has done a kindness. Life is there to be lived, but remember, none of us knows how many gates we will be allowed to open, before we reach the Door beyond. Only the Cailleach knows these things.

 
by Ailim, 2003
 
This article comes from Raven Moonlight Book of Shadows
http://ravenmoonlight.com/bos

The Modern Coven: Importance of Documentation

The Modern Coven: Importance of Documentation

Author: RedHawk

After a ritual with my coven sometime ago, it occurred to me that we’d all had a really good time, gotten a lot out of it, but alas, had nothing of the physical realm to show for it. Then it hit me. I am a military-trained videographer with an HD camera I wasn’t using NEARLY as much as I thought I would. How fortuitous is that? Two problems were solving each other.

Beautiful. It’s like they used to say on the old TV show “the A Team”: I love it when a plan comes together. Now all I had to do was sell it to my High Priestess.

I tossed my sales pitch around in my head for hours…. what I’d say, how I’d say it. What could I do to convince her we needed to start producing an audiovisual representation of how we did things? After all, it could potentially have a significant impact on later generations of Dragonstone (our coven) and ourselves when we wound up doing our AAR (Sorry, a military term: After Action Review) .

I guess my biggest concern in photographing rituals was that these are sacred, religious rites and even in the process of documenting them, sanctity needed to be preserved. Then again, I’ve photographed lots of weddings, baptisms, and confirmations, and this has never been an issue in the past.

Much to my surprise, it took little more than the mere suggestion. My HPS had always considered our group a modern coven with a forward-thinking attitude. For her, to be anything less is to become obsolete.

Honoring decorum and tradition is paramount. Clinging to it to the point of spiritual stagnation, however, inhibits the growth of the people within. I’m paraphrasing, of course, but you get the idea.

So as of now, I am the considered the coven’s “documentarian.” Since we have a highly organized structure in the coven, we have what are referred to as “points of service.” It’s our way of serving the various needs and functions within the group.

For instance, some may help keep the herb closet stocked, others may help out with the website. I was now the person in charge of keeping an audiovisual record of the coven’s goings on.

There would, of course, be issues.

I should state up front, that we are not, by virtue of our tradition, a skyclad coven—so that would never be an issue. But what about people who were uncomfortable with being photographed?

Personally, I hate being photographed. That’s why I always volunteer to be the one taking pictures. If it were an open ritual, whoever was joining us would also have to consent to being photographed. These were just the beginning of a host of potential things to be ironed out.

But most importantly for me, I’m still a part of the coven…and I need to be involved and an active part of the ritual or event taking place. Fortunately, these issues aren’t as complicated as they appear to be on the surface. As a rule, you really don’t need consent from someone to photograph him or her for personal use. Or in the strictest sense here—for coven-related purposes only.

As long as it’s not going to be used to sell something (commercial purposes) or mass distribution (i.e. YouTube) , you’re usually good. However, anyone from the outside, joining the ritual, needs to understand (well in advance) that you are photographing the ritual for archival purposes. Giving them advance notice, allows them a chance to opt out if they don’t want to be photographed.

As for the members of your coven who don’t want to be photographed, this is where the HPS needs to step in and smooth things out. In short, that’s why they’re the High Priestess.

As for my coven, they’re a pretty shameless bunch. So most love getting face time, the rest put up with it. I’m neither here nor there about it. I view it as a necessary part of keeping a true record of the coven’s history and practice.

Now…what to photograph?

This is the real beauty of it and what makes it stunningly practical and ruthlessly efficient. Technically you can photograph ANYTHING!! And we do! I’ve yet to photograph a ritual per se. But that little omission is just a week away from being a reality (i.e. this upcoming Samhain) .

Another use we’ve found for documentation is classwork. We have members in different states (some thousands of miles away) who simply aren’t able to take part in coven rituals and classes on a regular basis. Therefore, documenting the class gives them a chance to take part (in an after-the-fact sense) from far away.

Also keep in mind, with technology as consumer-based as it has become, it’s quite simple to ‘burn copies’ of any recorded event for all of those involved. This would especially come in handy for rituals such as handfasting for which you KNOW multiple copies will need to be made.

Sometimes we just get together for grins and giggles. You know summer picnics and the like. Having a visual reminder of just how silly and giddy everyone got, makes me smile. Much better than just a few still pictures.

These are just a couple of ideas on how to incorporate video into coven workings. These uses are as infinite as the variety of rituals you can do.

In closing, this method of record keeping was never meant to be a replacement for a Book of Shadows or a Grimoire. Consider it merely a supplemental. But it’s a position worth considering in larger groups, particularly if the group is expected to continue long into the future. (Sure, it requires someone to purchase a video camera, but they’re so cheap and common these days and usually someone within the coven is likely to already have one.)

Imagine what the covens of old would’ve done if they’d had this technology at their disposal. Now…. imagine what WE could’ve have learned from them if they had.

Staff

Staff 

Today’s staff is either chosen in accordance with your height, or by how it feels when used as a walking stick. Where some Witches perfer a shorter staff, others like the extended length. Of all the wooden tools, the staff is often seen as a symbol of honor and authority, and is normally decorated with magical symbols, talismans, bells, amulets, and trinkets given as gifts to the bearer tied with leather strips or sturdy cord and other unusual magickal bits that relate to its owner. In a group environment the staff of the high priest or high priestess may have symbols that relate to how many covens they have under their direction and how many members they have initiated. Like the wand and the rod, the staff is used to direct magickal current, often out-of-doors, but also used indoors if space permits. In more shamanic groups, the staff has replaced the sword. A staff carved with knobs and topped with a wooden replica of a human skull is specifically used at Samhain to honor the dead, or in other rituals where ancestors play a pivotal role: a duo derivation from Canadian Indians tribes and Haitian Voudou traditions, through ancient Celts did put the heads of their enemies on poles to capture their power and honor their valor. Obviously the Witches of today don’t carry reconstructionism that far.