Month: April 2011

Blowing In The Wind

Blowing In The Wind
 
 
In the Wiccan Tradition, Air is the Element of the East and might be represented on an altar by incense, feathers or an athame. It can be as soft as a whispered breath and as violent as a tornado, so it isn’t an Element to be taken lightly. It should come as no surprise that particularly persistent winds have even been given names—the Scirocco winds in the Mediterranean and the Santa Ana winds on the United States West Coast, for example. When these winds blow, they can literally change people’s temperaments and often fan wild fires. When mixed with another power Element, Water, Air can produce a fury we call hurricanes.
 
But Air is a necessary and benevolent Element, too. Without even thinking about it, we use our breath to blow out candles, sing songs of celebration and whisper secrets. How often have you “stepped out for a breath of fresh air”? Used during meditation and to alleviate the pains of childbirth, the Element of Air is healing and vital.

Attributes of Air

Attributes of Air
Abstract Learing
Creativity of Mind
Inuition
Intellect
Breath
Mental Powers
Towers
Rules of Mind
Thought
Visions
Ideologies
Ideas
Wind
Imagination
Physic Powers
Wisdom
Peaks
Theory
Windswept Hills
Plains
High Mountains
Knowledge

MAKING AN ATHAME

MAKING AN ATHAME

An athame is traditionally a double-bladed knife with a black handle. Very few
people make their own, although it is possible to do so. Most people obtain one
and personalize it in some way. This is most commonly done by inscribing
symbols or runes on it. In some traditions specific symbols are required and
have been handed down through their lineage. In others and among eclectic Wicca
groups, these can be personal.

How do you do this? You cover the blade with Paraffin. (WAX) Then you let it
cool. Next you take a LONG sharp NAIL and inscribe the symbols in the wax.
Then you use dilute Hydrochloric acid – careful, this stuff is dangerous, and
drop by drop place on the blade where it shows through due to your inscriptions.
When the acid has worked – usually fairly quickly – you rinse the blade under
running water THOROUGHLY and then you use VERY hot water and a lot of elbow
grease to remove the wax.

If ANY ACID FALLS ON THE SKIN RINSE THOROUGHLY UNDER COLD WATER IMMEDIATELY and
if there is a burn of any type, seek immediate medical help. IF it gets in the
eyes, again rinse immediately and completely and CALL THE EMT/PARAMEDIC UNITS.
It is best when doing this if you wear either some type of glasses or goggles
and rubber gloves.

DO NOT INGEST THE ACID OR LEAVE IT WHERE IT COULD BE INGESTED BY A CHILD OR
ANIMAL. Also be careful of how you dispose of the rest of it – do so in an
environmentally SAFE way.

This sounded like a little too much for me, so I tried another method. Koren
made a beautiful athame for me and I personalized it by putting herbs of my
choice in the handle and sealing this with a favorite crystal of mine – again
with his help.

Oh, if you absolutely can’t get a double-bladed knife – in Massachusetts, for
example, possession of such a weapon is a CRIME – get a single-bladed knife and
grind down the other edge as much as you can.

As I said, the Athame is USUALLY black-handled, but there are exceptions – I saw
one Lady use a knife with a deer’s hoof for the handle. She was oriented toward
her Native American heritage as much as her Craft, so it had deep significance
for her. I also saw – in fact a friend of mine was selling it – a BEAUTIFUL
homemade athame with copper tubing forming a cross hilt and crystals in each of
the three tips for the handle. (this was almost a small sword) AS ALWAYS USE
WHAT SPEAKS TO YOUR OWN SOUL!!!!!

The athame is usually NOT used in circle for anything other than ritual and
ceremonial purposed. If you need to inscribe a candle for Magick or slice the
bread for the cakes and wine part of the rite, you usually use a BOLINE or white
– handled knife, often a small dagger or even a pen-knife, set aside for these
purposes.

ALTARS (Misc. Thoughts)

ALTARS (Misc. Thoughts)
Chris Olmstead

As for Altar set ups…

1. I once read Crowley’s remarks on how he contrived his stuff while he was out
wandering the world or climbing mountains. He found ways to just use the
simple things from his kit…cook knife became Athame, tin cup became the
Cup…etc.

This sort of ‘kitchen witch’ working is accepted by lots of folks. You can set an
altar up and take it down as fast as you can set a table.

2. I also have noted the “Porto-Pagan” set-ups at some of the Pagan Fests I’ve
attended. Carry the stuff in a cardboard box that can be up-ended for an altar, or
even placed on it’s side for a rain-proof ‘shrine’. Close and carry off at the end of
the visit with a minimum of re-wrapping to protect the fragiles. Some just contrive
one with the natural objects at hand…a rock, a stick, a lantern or candle, etc.

3. Some folks (including myself) have a small duffle into which I’ve placed a
second set of “traveling” working tools. I have the great good-fortune of having
friends who give me cool things. The coolest stay on my Altar, the second-
coolest hang out in the sac, and sometimes I shift the goodies around.

4. I have a buncha books that offer arrangements I find a bit Over-whelming, but
I can certainly post them, if you really need them. If you want me to fetch out
Official Altar diagrams from some of the slick commercial works I have on the
shelf, RSVP.

5. For “public” Altar, in my home, I ‘clutter’ a shelf, a mantle, or a small window
sill. It sounds to me as though, since all your stuff is packed andyour space is
totally compressed, that the “window sill” Altar is a good solution for you. I put a
little origami pinwheel up on an Eastern sill, a small shell on a Western one, a
tiny oil lamp on a Southern one, and a pretty rock on a Northern one. The whole
House is the Altar “Table”.

To clear my space I have been known to light a stick of incense, scaling it
upward in my mind until I am swinging a huge flaming brand before the various
Darks I’m dispelling, and run through the house screaming and raving aloud until
they back off. A joss stick lasts about 20 minutes. I can almost guarantee that if
you summon your Ki and Incant over a flaming brand for 15 minutes, most
Shadows _will_ go elsewhere. I haven’t had to do it in THIS house more than
twice in 3 years

Collecting and Preparing a Magickal Wood

Collecting and Preparing a Magickal Wood 

Most Witches prefer to use a fallen branch rather than cutting a limb from a tree, feeling that taking from the tree with a blade is disrespectful. Others believe that if you ask the tree and indicate your purpose, you can tell if the tree gives permission by laying your hand softly on the bark. If you feel unhappy, sad, or like you’re being brushed off, permission is not granted. If, however, you feel a warm flowing sensation, then the tree has give its permission. An offering should always be left at the base of the tree if a branch is taken in this way.

The wood should be left in a warm, dry place and allowed to cure, if it was living when taken. Fallen branches may already be sufficiently dried. If in doubt, treat it as living wood. Some Witches prefer to leave the bark on the wood, where others peel away the bark with a pocket knife, then sand the surface with sandpaper until smooth to the touch. The soft surface takes paint and wood-burning techniques better than the bark. The choice is yours. As a final touch you may wish to wrap the handle portion with leather or other soft cloth. Some Witches add crystals and gems to the point that will direct the current, either gluing or wiring the stone into place with thin copper or silver wire.

Empowerment Ceremony for Wands, Rods, Staves, Stangs, and Brooms

Empowerment Ceremony for Wands, Rods, Staves, Stangs, and Brooms 

Timing: New moon (unless the item will be used to specifically to vanish, then choose dark moon or moon in Scorpio).

Supplies: One red candle; holy water or Florida water; salt; empowering oil; incense of your choice; a carving tool or wood-burning tool; a selection of magickal symbols; a pencil (to trace the designs before you carve or use the wood-burning tool); thirteen bricks or white stones; one cauldron.

Pre-Ritual Preparations: Choose and carve the magickal symbols you desire on the piece. Build your circle with the bricks or stones. When you are finished, sprinkle both wooden tool and circle with holy water or Florida Water. Libation to the Gods.

The Ritual: Cast your circle around the stone circle, which will be in the center. Place the cauldron in the stone circle. Light the fire candle and place inside the cauldron. Call the quarters. Invoke deity. Place the wooden ritual piece inside the stone circle. Pass the four elements over the item (fire, incense, salt and holy water). Stand over the circle, raise your arms to the heavens and say:

Mistress (Master) of the Universe! I call thee forth to cleanse and consecrate this (name of item). Empower this (name of item) in the name of universal perfection!

Outstretch both hands toward the item.

(Name item), I conjure thee in the name of the Mistress (Master) of the universe to work all forms of magick for me! Ye shall conjure, banish, empower or cast aside negative energies as I so dictate. Ye shall overcome all obstacles in the performance of these task. At my very touch ye shall awaken into life in preparation for any and all magick and respond with perfection to my very will, and you shall retain your power in fallow days when magick is not required.

So I will, so shall it be!

Rub the item with the holy oil, then draw an equal-armed cross in the air over the item to seal your work. Complete the ritual by offering a libation to the Gods. Thank deity. Close the quarters. Take up the circle with your fingers and place the circle energy in the tool by directing your finger at the tool and envisioning the energy leaving your finger and entering the tool. Leave the item in the light of the following full moon for at least one hour.

Stang

Stang 

The stang is a straight branch with a fork or Y at one end, and is most used in ritual circle as a type of centerpiece representing the magick of the three –the trinity– in the following ways: Earth, Sea, and Sky; Body, Mind and Spirit; God, Goddess and Unity; the three faced of the God; the three faces of the Goddess; and the crossroads of life. Stangs used today are normally five to six feet in height and are often decorated with ribbons and flowers that match the seasonal ritual. The stang also relates to the legend of the World Tree, and in some ritual groups it is the pole of libation, where gifts of food and liquid are arranged or poured by the base in honor of the Gods. This is similar to the pole erected in the center of a Voodoo rite, dedicated to Damballah, called the Ponteau Mitan. The stang is normally place at the north (the seat of all power) or directly behind the altar. A few groups, often with Druidic leanings, place the stang in the center of the circle.

Staff

Staff 

Today’s staff is either chosen in accordance with your height, or by how it feels when used as a walking stick. Where some Witches perfer a shorter staff, others like the extended length. Of all the wooden tools, the staff is often seen as a symbol of honor and authority, and is normally decorated with magical symbols, talismans, bells, amulets, and trinkets given as gifts to the bearer tied with leather strips or sturdy cord and other unusual magickal bits that relate to its owner. In a group environment the staff of the high priest or high priestess may have symbols that relate to how many covens they have under their direction and how many members they have initiated. Like the wand and the rod, the staff is used to direct magickal current, often out-of-doors, but also used indoors if space permits. In more shamanic groups, the staff has replaced the sword. A staff carved with knobs and topped with a wooden replica of a human skull is specifically used at Samhain to honor the dead, or in other rituals where ancestors play a pivotal role: a duo derivation from Canadian Indians tribes and Haitian Voudou traditions, through ancient Celts did put the heads of their enemies on poles to capture their power and honor their valor. Obviously the Witches of today don’t carry reconstructionism that far.

Rod

Rod
 
 
Egyptians, Babylonians, Sumerians, Greeks and Romans also carried rods and staffs as symbols of authority in daily life as well as in magickal practice. Some rods were made for specific purposes, such as protection for women during childbirth, and were consecrated to Bes. The rod is a particularly interesting magickal tool with symbolism linked to power, authority, and the World Tree (Tree of Life/Yggdrasil/Pole Star), and appears in stories of Egyptian, Greek, Jewish, and Islamic magick. If one carried a rod, he or she had the power to settle all disputes, especially if empowered during a storm that carries both thunder and lightening. In European lore, a rod empowered on the Halloween full moon carried great authority over the spirits of heaven and earth. Ancient civilization believed that the rod was thought to command all types of spirits and send messages to god/dess. In measurement is approximately three feet in length, or from shoulder to fingertips. Modern magickal rods are either painted in the color of a Wiccan tradition or group, or are carved or painted with magickal symbols and sigils or the magickal person’s choice. Long-handled wooden spoons (with a handle at least three feet long) can also be carved, painted, empowered, and used in the same manner as the magickal rod.

The Censer

The Censer
 

The censer is one of the basical elements in arranging the altar for ritual. Whether we use our incense in sticks, cones or grain, we must have a vessel to hold the ashes and isolates the altar from the heat of the burning incense.

If we’re using sticks, the best will be to have a shallow, wide mouth recipient (like a soup bowl), full of sand, where we’ll nail the sticks to consume. The same if we’re using cones. If we want to use grains, the censer must be heat-proof, for the burning coals will release extreme heat. This last type is the most advisable, since it gives us the freedom of making our own mixes from scratch, using a few basic elements and adding herbs or even flowers if wanting to.

In every case, it’s better if the recipient has some kind of handle, or chains like the old Church censers, to handle it without getting nasty burns. We must keep in mind that in some cases we’ll have to walk around with it, for instance, if we’re doing a house cleansing. The better materials are clay, ceramic or bronce, being the former the cheaper but more fragile, and the later the most expensive.

The censer and the coals slowly consuming, represent the elements of Fire and Air in the rituals, both masculine. Generally, the censer will be placed on the right of the altar, needing a case similar to the one we ought to have with lit candles.