Tag: Craft

Light a Candle, Cast a Spell

Light a Candle, Cast a Spell

by Melanie Fire Salamander

In Northern European societies, Imbolc or Candlemas traditionally fell at a time when, with the end of winter in sight, families used the animal fat saved over the cold season to make candles. I don’t butcher stock, and I’m not planning to render meat fat to make candles, but I like connecting with the past through candle-making. And though the days are longer now than at solstice, they’re still short enough that a few candles help.

To further your magickal purposes, you can make a spell candle for Imbolc — a candle into which you imbue a particular magickal purpose. Once you’ve made and charged your spell candle, you burn it over time to further your intention. I find spell candles particularly good for goals that require a period of continued energy to manifest, for example a new job, and for things I desire recurrently, for example peace and harmony for myself and the people around me.

Also, Imbolc is traditionally a time of initiations, of divination and of all things sacred to the goddess Bride, including smithcraft, poetry and healing. To align with the season, consider making spell candles dedicated to these ends.

You can make two kinds of candle, dipped and molded. For spell candles, I’d recommend molded candles, so you can include herbs and other ingredients that wouldn’t mix evenly with dipping wax.

Things you need

  • Cylindrical glass container or containers
  • Paraffin-based candle wax
  • Double boiler or other large pot in which to melt the wax
  • Wick
  • Scissors to cut the wick
  • Popsicle sticks (tongue depressors), one per candle
  • Metal tab to anchor the bottom of each wick (a heavy paper clip will do)
  • Crayons, old candles or candle coloring for color, if desired
  • Small objects appropriate to your spell
  • Herbs appropriate to your spell
  • Scent appropriate to your spell

For your molding container, the best thing is the used glass from a seven-day candle. You can find seven-day candles all over, including at Larry’s Market. The Edge of the Circle Books has them, or check your local pagan store.

You can also use glass tumblers, jelly jars and the like. The larger the container, the bigger the possible candle and the longer it will burn. Seven-day candle containers have the advantage of having a good candle shape, so that the flame easily melts the wax at the sides of the glass. To accomplish your purpose, ideally you’ll burn the entire candle, leaving no stub, which is easiest to do in a container shaped like a seven-day candle’s. Make sure also that the glass of your container is fairly thick.

If you do use a seven-day candle, you’ll need to clean out any remaining wax. To do so, heat the glass in a pot of water to melt the wax. Be sure to heat the glass with the water, rather than introducing cold glass into boiling water, which might break the glass. You’ll need a bottle brush, detergent and some concentration, but it is possible to clean these containers.

Candle wax can be found at candle-supply stores and craft stores. It comes in blocks of two pounds each; the smallest amount you can buy is more than enough for several candles. For wick, again you’ll need a candle-supply or craft store. Lead-based wick, which has a thin thread of metal covered with cotton, is easiest to work with, but you can also use pure cotton wick. The popsicle stick, a craft store or drugstore item, is used to anchor the wick at the top of the candle.

If you do use a seven-day candle container, and the tin tab at the bottom hasn’t disappeared, save it. Such a tab anchors the wick to the bottom of the glass, making sure the wick lasts the length of the candle. If you haven’t saved the tab, you can use a heavy paperclip or buy the real thing at a candle-supply or craft store.

The remaining ingredients depend on the intention of your spell and should have associations appropriate to that intention. None of these ingredients is required — you can make a spell candle by simply making and charging it, or by charging an ordinary candle. However, as with any charm, the more energy you put into in its creation and enchantment, the stronger the spell. I give some ideas for ingredients following; for a full list of associations, check your favorite table of magickal correspondences, or see The Spiral Dance, by Starhawk; Wicca: A Guide for the Solitary Practitioner, by Scott Cunningham; or Aleister Crowley’s 777.

The easiest way to color candles is to melt crayons or old candles with your wax. To get a strong color, use more colored wax. Don’t mix colors, or you’ll end up with a muddy brown. You can also purchase candle coloring at a candle-supply or craft store. For color symbolism, check tables of correspondences; as always, your personal associations and preferences are the strongest and most resonant. Some common associations follow:

  • Red: Lust, passion, health, animal vitality, courage, strength
  • Pink: Love, affection, friendship, kindness
  • Orange: Sexual energy, earth energy, adaptability, stimulation
  • Brown: Earth energy, animals
  • Yellow: Intellect, mental energy, concentration
  • Green: Finances, money, prosperity, fertility, growth
  • Blue: Calm, healing, patience, peace, clairvoyance
  • Purple: Spirituality, the fey, meditation, divination
  • Black: Waning moon, release, banishing, absorbing and destroying negativity, healing
  • White: Waxing or full moon, pro-tection, purification, peace, awareness; good for most workings

Probably the most common small object to add to a spell candle is a written expression of intention. Candle makers often add semiprecious stones; you can add a stone appropriate to your intention, for example sacred to a deity who rules that area of life, or personally connected to you, say a birthstone. Depending on your spell, other small objects might suit. If you’re doing a spell to invoke the peace of the ocean on a still day, you could include sand or seashells. A candle to draw love might include small cut-out hearts, one to draw money pieces of dollar bill. Note that any added objects should ideally be flammable, or if not flammable small enough not to prevent your candle from burning.

You can use herbs suitable for incense to further your spell. Use herbs you can safely burn indoors. Herbs may make a candle smoke and can combine with the wick to create a large flame, so use them sparingly. Also, herbs tend to clump at the top and bottom of the candle, often producing a stub at the end that’s hard to burn. However, herbs are easy burnable ingredients to add in line with your intention, and if you choose the right herbs they’ll smell good. For lists of herbs, try any incense-making book, such as Scott Cunningham’s The Complete Book of Incense, Oils and Brews or Wylundt’s Book of Incense. To make sure your herbs smell sweet, burn a pinch first.

Both the preceding books also discuss scents, which you can incorporate also. For a strongly scented candle, you’ll need to add perfume. It’s best to use candle scent, found at candle-supply and craft shops, or synthetic perfume oil. Essential oils are volatile and break down in the wax, leaving your candle with no scent at all.

The candle making processAs with any spell, start by considering what you want and what symbols represent your goal. Likewise, as always, don’t try to compel someone who hasn’t consented. Remember that what you do returns to you threefold.

Start by collecting your ingredients and planning your candle-making for a day and hour appropriate to your intention. Imbolc this year falls just after the full moon, so for spells of increase you might want to wait till the moon turns. Or phrase your spell to release something negative. If you need money, banish poverty. If you want love, banish loneliness.

Give yourself a few hours to make your candle or candles, during a period when you’re unlikely to have your concentration broken. Just melting the wax alone, depending on the volume melted, can take from 15 minutes to an hour. You’ll be using the kitchen, so make sure you’ll have it to yourself or that any visitors will be attuned to your purpose.

First, melt the wax in the top of your double boiler. If you want all your candles to have the same color, add the crayons or old candles now. You can use a single pot if you’re willing to watch the wax closely — you don’t want it to burst into flames. Break the wax into small chunks beforehand, so it will melt faster. Heat the wax over medium heat, but don’t let it boil. If you want candles of different colors, you’ll need to melt the crayons or old candles separately, then add clear wax to about the right volume in the pot and mix before filling your containers. Add candle coloring according to package directions.

While the wax is melting, pad your working space well with newspaper, because you will almost certainly spill some wax. Make sure all your ingredients and tools are handy. If you have herbs in unmanageable sizes, for example whole rosemary stalks, break them down so the pieces are a size to burn without becoming small bonfires.

Once the wax is fully melted, turn the heat low and let the wax cool till the wax on the sides of the pot starts to set, at approximately 120 degrees Fahrenheit. Cooling the wax a little helps prevent the creation of large air bubbles in your finished candle.

Now you’re ready to start forming candles. I usually cast a working circle at this point, calling my patron deities to witness, but without a lot of tools or formal setup. You can work as elaborately or simply as you like. However, I would recommend making the candle with focused intention, as well as charging it later.

Take a moment, then, to focus your concept of your goal. You might create a running mantra to repeat through the rest of your candle-making, or consider an image or group of images to help you concentrate. Be sure to state your intention simply and firmly. If it seems appropriate, write your intention down.

First, if you want multiple candles with the same scent, or you’re only making one candle, scent the wax now.

Next, cut a wick for each candle. The wick needs to be as long as your candle container, plus several inches. Thread the end of the wick through the metal tab or paperclip, or other object appropriate to your spell — for a money spell, you might anchor the wick with a folded bill. Then, drop the weighted wick-end to the bottom of the glass container. Making sure the weighted end sits flush on the bottom and the wick stays as straight as possible, wrap the other wickend around a popsicle stick and set the popsicle stick across the mouth of the glass. Make sure the wick-tail is in the center of the candle-to-be. The more centered your wick, the more evenly your candle will burn.

If you’re using unleaded wicking, pour a little wax around the tab at the end, then let it harden firmly. Then gently stretch the wick taut, and rewrap the top around the popsicle stick.

Next, add the nonwax ingredients to your candle. Drop your folded written intention, if any, and any other objects into the bottom of the candle glass. As each falls, imagine it adding strength to your spell. You can add herbs now as well, or you can add them to the top after pouring, if you want them to float down through the wax and be distributed through the candle.

When your objects and initial herbs are in, pour the wax. Pour evenly and slowly, and try to make sure your wick stays in the candle’s center. If you want to add herbs after pouring, do so directly afterward. If you want to scent a candle singly, now’s the time.

The next part is the really hard part — set the candle out of the way, and leave it alone! It will take up to an hour to harden. You can continue to meditate on your purpose, set up an altar to formally charge your candle, or take down your circle for the time being. You might want to check your candle in this interim period, as the top’s center may form a depression, which you can top off with melted wax. To this end, keep some wax melted.

When your candle’s solid, cut off the extra wick at the top, leaving about a half-inch.

Next, energize the finished candle with your intention. Cut your circle and call any deities or spirit helpers you like, if you haven’t yet, and restate your purpose. Then raise energy in your chosen manner. When the energy’s at its height, send it into your candle, then ground any excess into the earth, keeping what you need for yourself.

Finally, burn your candle. One of the great things about burning a candle in a glass container is that you can keep it going night and day in relative safety. Make sure, however, that the candle is in a place where no human or pet can knock it over, and where no combustible thing can fall across it. Also, at the end of the candle’s life, you might want to burn it while you can watch; it’s during the last inch or so that the glass will break, if it’s going to. Either way, just in case, burn the candle on a nonflammable surface, say an earthenware plate or a tile floor.

If you don’t want to burn your candle every day, burn it on days appropriate to your spell. For example, burn a love candle on Fridays, a day sacred to Aphrodite, Freya and other love goddesses. Again, tables of correspondences can help you figure appropriate days, or you can determine them astrologically. Or you can burn your candle when you feel particular need.

Ingredients for different intentions

If you can’t find or don’t like any of the following ingredients, by all means cut them, substitute or better yet create your own recipe from scratch! The stronger the associations for you and the more personal your candle’s creation, the more effective your candle will be.

  • For divination and psychic work: Purple coloring; a small image of an eye, for far-seeing; lemongrass, sandalwood, cloves, yarrow and a pinch of nutmeg; frankincense scent
  • For protection: No coloring; basil, vervain, rosemary, St. John’s wort and a pinch of black pepper; vetiver or patchouli scent
  • For healing: Pale blue coloring, bay, sandalwood, cedar, carnation, lemon balm; eucalyptus scent
  • For peace and harmony: Pale blue or lavender coloring; lavender, meadowsweet and hops; lilac or any light floral scent
  • For inspiration in the arts: Yellow coloring; a small image of a lightbulb; a piece of amber; bay, cinnamon, lavender, orange peel; scent of bergamot, or any citrus scent
  • To attract love: Pink coloring; small silk or candy hearts; rose petals; jasmine scent
  • To attract sex: Red coloring; sexual images; rose petals, ginger, damiana, ginseng, a vanilla bean; musk scent
  • To attract money: Green coloring; a folded bill or shiny dime; dill, lavender, sage, cedar, wood aloe; oak moss, vetiver or patchouli scent, or some combination of these
  • To get a job: Green coloring; a topaz or turquoise; pictures of tools you use in your work; bay, lavender, cedar, red clover, nutmeg; orange scent, or any citrus scent

As you make and burn your candle, attune to the season as well as your intention. Now is the time to ask Bride for inspiration and to light a new flame, beckoning the longer days to come.

 

An Intimate Look at Ritual Pain

An Intimate Look at Ritual Pain

by Amanda Silvers

“A person can’t be creative and conformist at the same time,” J.A. Meyer, “Brick Wall”

The night is dark when we set out, with a cool silver moon the only illumination. I am blindfolded and bound as soon as we begin. I wonder where we are going, for one of the rules is that I must not know until after (and if) I endure the ordeal. It is a cold clear evening, and I can think of nothing save the knot in my stomach and the shaking of my knees.

We arrive at the appointed site; it smells slightly of hay, cows maybe. It is frigid and crisp, and I am beginning to chill; I should have dressed more warmly.

We enter some type of building; the blindfold is scratchy on my face, and I can’t see, but it is warmer, and I sense other people. I hear the crackling of a fire. My bonds are removed, and my coat and gloves come off; the others are silent except for the terse instructions, “Take off your clothes!” I am wishing I were anywhere but here right at this moment. I am freezing, and they want me naked? I vaguely remember them telling me this ritual was skyclad, but I’d forgotten.

I am naked now, and warmer, but still feel as though I can’t get warm enough. I kneel on the floor, which seems to be made of hard and uneven boards. My knees hurt, my shins hurt, my arms hurt, and there is a pain in my back that gets worse as the seconds fly by. I am cold and colder, and the hair on my arms and the back of my neck stands up like a dog’s hackles. I sense movement as they come for me.

I am afraid. I am inclined to say forget it, I don’t really want this. I have no idea what to expect and all of my worst fears flash before my eyes, as someone helps me to my feet. My stiff legs protest with loud cracks and pops, as I attempt to put my weight on them. I hope that I have used good judgment; all of my father’s warnings come back to me, scenes from Rosemary’s Baby and all of the stories about “Satanists” fly before my eyes. Can I trust these people? Do I know them well enough? I guess at this point I really have no choice. So I follow where they lead, carefully instructing me on where to step and when to stop.

I am in the circle now; no… not yet, I am nearby. I can feel the proximity of maybe a dozen people. I can feel their breathing, their excitement. I am still frightened, I am fidgeting and shaking like a leaf. I hear the priestess’s voice; it is familiar, and it comforts me. I hear her ask me if I wish to continue. I pause, then answer feebly “Yes,” and I am brought in. I can tell I have entered the circle because it’s so much warmer, and I feel it close around me. I feel momentarily safe; then I remember what I’m here for.

The ritual continues; some parts are familiar, and I pass each test. I say the right things by some miracle of my memory or subconscious, and then the time arrives for the ordeal. I am asked to kneel again on the hard uneven floor; my hands are bound behind me; I am bent over in supplication when I feel the lash of the whip.

The whip goes up with a whooshing sound and comes down with a crack that slices the skin on my back as if it were butter, and it feels as if I am bleeding. I feel the pain, and the pain from my childhood comes up with it, up from deep inside of me. It comes bubbling to the surface as I count the lashes and hope each is the last. I feel tears squeezing out through my clenched eyelids under the rough blindfold. A thought about whether they will see me cry passes though my mind just as another lash follows on its heels chasing it away. I allow the tears to come. I let the feelings surface, and I wail with the sound of an animal, a cat. I growl, and I resist moving away even as I feel my body grow warmer and warmer still. I think that blood must be running out of me at this point, and I pray to the Goddess that they will stop, as each of them lashes me with the cruel whip. I feel myself beginning to slip out of my body, and I hear my priestess say, “Stay with us, dear one, it is for naught if you go away.” So I try to focus my energy as I shift my weight on my knees, and the lash continues.

I don’t know how many times I was lashed that night. I do know I was really surprised that there was no blood at the end. It felt as if the whip was cutting me. There were some welts that went away in a day or two; I wore them as a badge of courage. Maybe it was the fear that made it seem so bad, or maybe something more happened that night than I can explain.

When this ritual took place, I was very young and full of myself; I thought I knew everything. I didn’t, of course, and the important thing is that this initiation served to point that fact out to me. I had begun in the Craft not taking it seriously, and after the ritual I felt charged, changed; I was a different person from the girl who set out that night. I knew I had endured, and my childhood pain had been spent like so many coins as payment for my innocence.

Humans have utilized, and continue to utilize, pain in ritual to accomplish different goals: as a ceremony of purification, as a means to an altered state of mind, as a technique to travel astrally, as a healing for past pain and as an ordeal to suffer and endure before being allowed to move from one level to another, as in my first initiation. Why do we use pain in this fashion? As Doreen Valiente said, “The reason we use the scourge, is that it works!” Pain stands as a proven technique for reaching the subconscious, raising energy and achieving altered states.

Pain is used as a marker for rites of passage. “The Olmec, Mesoamerica’s oldest civilization, provides the earliest, and one of the most graphic illustrations of genital sacrifice,” according to Wes Christensen. “A remarkable mural found inside a cave in the modern Mexican state of Guerrero, shows a crouching jaguar, symbol of the priest-king in later times, emerging from the stylized jaws of a serpent whose body, in turn, reveals itself to be the greatly enlarged penis of a human figure. The obligation of ritual blood sacrifice was one the Maya later shared with the other cultures that inherited Olmec patterns of ceremonialism.”

A similar rite of passage that continues today, circumcision is a religious ritual that has been practiced in both ancient and modern times to mark the transition from boyhood to manhood. Circumcision is practiced today in Jewish culture as the religious ceremony it is. Modern-day mainstream medical circumcision is one example of how society can embrace a religious ritual and change it into a medical procedure.

E. Royston Pike states: “Circumcision was practiced by the ancient Egyptians as far back as the Fourth Dynasty, or 3000 B.C., and probably long before that. The ceremony is clearly portrayed on a temple at Thebes. Circumcision is to be regarded as a ritual tribal mark or badge.”

Tribal or “gang” tattoos are popular with young people as a mark of their allegiance; they also use pain as a ritual to enter into the gang. Called being “jumped in,” the gang challenges and beats the initiate till they either give up, or until they can’t move. Some people die as a result of this initiation. It shows their level of commitment to the gang, as well as how tough they are. They wear the tattoos of the gang proudly, to show who they are.

The body’s ability to override the sensation of pain is incredible; when we are in pain, we manufacture natural substances much more powerful than most drugs. Some people get almost addicted to pain and body modification, as if it were a drug. Fakir Musafar is one of the most extreme body players that I have seen; he has been experimenting with all manner of body modification and ritual since the ’50s. At one point, he whittled his waist to a mere 14 inches in a reenactment of the rituals of the Ibitoe from New Guinea, who use the itiburi (wide waist belt) as a sign of manhood. Fakir says he “became an Ibitoe to see what it was like, and fell in love with the practice…. The tight waist training of the Ibitoe teaches them that you are not your body, you just live in it.” He adds, “Times have changed, people have changed. The way I see it is, people need these rituals so desperately; that’s why piercing and tattooing have blossomed. People need physical rituals, tribalism…. They’ve got to have it, one way or another.”

The majority of the rituals Fakir does are reconstructions of tribal rituals that have been acted out for hundreds of years, like those of the Indian sadhus who sew coconuts all over their bodies, stitch fruit with chains to their backs or hang by hooks from their backs. Fakir hangs weights from hooks in his skin, puts clothespins all over himself, dangles a large weight from his penis and lies on a bed of razor-sharp blades. He has accomplished numerous enactments of these practices, which he has documented with pictures.

When asked why he would want to do these extreme things, Fakir says, “We’re suffering from a lot of repressive conditioning, which you can’t undo in just a mental way. Most of it has to do with sexuality and sexual energy. If you get into any practices of other cultures, you’re bound to be involved with a lot of sexuality in other states and guises that aren’t even acknowledged as being in existence in this culture. And a good shamanistic answer to why do these things is because it’s fun!… I mean, what’s wrong with that? Is there a law against having fun?”

Fakir is also one of only a few white men who have performed the O-Kee-Pa Sundance ceremony, wherein the person pierces the flesh on his chest and puts claws, horns or hooks through it and hangs from the Sundance tree till the skin rips and he falls down, the duration of which may be many hours.

This ceremony was illegal and relatively unknown to the white man until the film A Man Called Horse; then Fakir and famous body piercer Jim Ward made the film Dances Sacred and Profane in 1985, in which they included an O-Kee-Pa ceremony.

George Caitlin in O-Kee-Pa: A Religious Ceremony, and Other Customs of the Mandans, published in 1867, writes; “An inch or more of the flesh on each shoulder, or each breast, was taken up between thumb and finger by the man who held the knife, and the knife had been hacked and notched to make it produce as much pain as possible, was forced through the flesh below the fingers, and was followed by a skewer which the other attendant forced through the wounds (underneath the muscles, to keep them from being torn out), as they were hacked. There were two cords lowered from the top of the lodge, which were fastened to these skewers, and they immediately began to haul him up. He was thus raised until his body was just suspended from the ground…. The fortitude with which every one of them bore this part of the torture surpassed credulity.” The ceremony used to be illegal; the government tried to outlaw the Indians’ rights to their religious rituals. Some of those rights were not regained in court until 1967.

The assemblage is held each year at the summer gathering or Sundance to take part in the ritual, you must be an Indian, and each year they change the location where it is held. I have spoken of the Sundance with several people who have performed it, and I have seen the cruel scars the skewers leave where they tear the skin. The scarification is a badge worn by those who do the sacred rituals, a reminder of the experience, a medal of courage, an imprint in their skin of the climacteric of their life.

When I questioned Bear-dreamer why he does the Sundance ceremony, he related his experience: “Our selves are the only thing we have to sacrifice. Everything else we offer to the gods has come from the earth; this is a way to give back to the Mother something which we did not get from Her. This way you spill your blood and endure the pain as your offering to Her.”

Everything comes back around; there is nothing new under the sun. In many cultures, we find people inflicting pain on themselves and others; with sadomasochism (SM) recently become a cultural phenomenon, this sexual/sensual practice seems to have reevolved. It has even progressed into a bizarre fad in the last 10 years. In the ’70s and ’80s, you had to really search for fetish clothing; these days, Madonna has made it a mainstream fashion statement. Studded black leather and chains appear on the runways of French clothing designers almost as often as in some gay bars. If it were merely a vogue, I wouldn’t be all that interested, but SM has grown as a sexual penchant for people from the hip to the middle class.

No matter what class or educational background you hail from, enduring pain can give you an incredible feeling of power: power over your own body, power over your circumstances. If you can refuse to feel the pain, or to react to it, you can control your life.

There is an exchange of power that happens in SM that I have yet to find in many other places. Some SM activity may be understood as a ritual “sacrifice,” the person being tortured sacrificing their power, pain or blood to the person doing the beating, cutting or piercing. Some people are in SM for the endorphins and the “high” produced by the person on the bottom (the one being beaten or whatever), which is empathed by the top, who then gets a contact high. This may also be true for many others in situations where they are inflicting pain, like phlebotomists, physical therapists and so forth.

What is the enchantment of pain? Why are young people nowadays piercing everything visible as well as many of the unmentionable parts? What about tattoos? Talk about pain! I am also a tattoo artist, and I get wonderfully high from the pain I visit on my customers with the tattoo machine it’s unavoidable. I ride their energy, their endorphins, for as long as they want to or can take it. It is a lot of fun, a harmless way to experience that high, and they gain something from it too. It’s far superior to drugs; I actually get paid for it, and it’s desirable all of a sudden, in a kinky sort of way! A tattoo as a rite of passage marker is a wonderful experience, as you may suffer from real pain as an ordeal, which is not unbearable, and it leaves a beautiful reminder of your process and transition.

The Craft has its own interpretation of pain in ritual; there are a number of traditions that employ flagellation. Doreen Valiente said, “Rumors and allegations have been frequent, that present day witches make use of ritual flagellation in their ceremonies. The truth is that some covens do make use of this, and others do not. Those which do, however, have the warrant of a good deal of antiquity behind them; the truth of which has hitherto been obscured by the difficulties encountered by anthropologists and students of comparative religion, in the frank discussion of this subject. The reason for this seems to be that, while strict moralists have no objection, indeed all are in favour, of flagellation being used for penance and punishment, to inflict pain and suffering; nevertheless, the idea of this very ancient folk rite being used in a magickal way, not to inflict pain but as part of a fertility ritual, for some reason upsets them very much.”

To learn, you must suffer and be purified. Are you willing to suffer to learn?

The Encyclopedia of Witches and Witchcraft states that “Religious mystics have used flagellation for centuries. In witchcraft, it is ideally light, slow and steady. Not all (witchcraft) traditions use scourging. Its use in those that do has declined since the 1960s.” The reason the scourging is ideally slow and steady is that it should build energy. It begins slowly and softly, in my experience, and builds over time in rhythm and intensity, so as to mount the neophyte’s rapture. Think of a musical piece that starts soft and slow and builds into a crescendo of power. It feels something like that.

In traditional Gardnerian and Alexandrian rituals, the scourge is employed quite readily to raise energy; there are numerous examples of this in diverse types of rites where this is apropos, for example during a third degree initiation. Gardner’s Great Rite includes three sequential scourgings. Some observe that he was a bit too taken with the ritual asceticism and hint that he was “kinky.”

Doreen Valiente replied to this, “What old Gerald had described is a very practical way of making magick. I speak from experience when I say that it does what he claimed it to do, and I don’t care about what anyone says about being ‘kinky’ or whatever. Perhaps it has become associated with ‘kinky’ sexual matters, but long before that it was part of a very ancient mystical and magickal practice. You can find mention of it in ancient Egypt and from ancient Greece; and no doubt you are familiar with the famous scene from the Villa of the Mysteries in Pompeii which shows a new initiate being scourged a point which Gerald referred to in Witchcraft Today.” Doreen added, “I disliked the elements of flagellation and bondage in the rituals at first, but I came to accept it for one good reason it worked. It genuinely raised a cone of power and enabled one to have flashes of clairvoyant vision.”

In my tradition, Sylvan, we used to practice ritual scourging as a suasion to dance the circle round, faster and faster. The high priest and priestess would stand bordering the circle of dancers and flail us with cats o’ nine, to make us step in a more frenzied manner, so as to elevate the energy. We were then a skyclad tradition, and when the dance climaxed, the priestess would motion and we would all fall to the floor as she funneled the cone of power. We don’t perform skyclad very frequently any more, and we don’t dance the frenzied circle as we once did. We do continue to use various methods involving pain as tools to an end, such as an ordeal in an initiation.

I find it fascinating that more and more people are finding the tool of pain an appropriate one to use, whether they be modern primitives, native American Indians, SM dykes or witches. We, as a national culture, seem to be attempting to reclaim our lost rituals. Humankind is beginning to reinvent many rites and customs, some including pain.

Pain can act as a doorway to other realms; it can take you places you have never been. It is one thing that can definitely move you from one place inside yourself to another; in the initiation I related, it moved me from my childhood to being a true believer. It has moved me in many ways at other times in other places; if you can endure, you can triumph. I have used pain as a tool for growth, for sensory overload, to achieve states of bliss, as a tool for illumination, for achieving astral travel, for inner exploration, as a tool for dramatic personal growth and for reliving and healing my past. These ceremonies have existed since the beginning; humans have a deep need for them, and to deny them is to deny our gods.

In the center of the circle stands a man; he has been challenged, has made the promises. He is asked if he desires the purification and the mark. He says “Yes” solidly, assuredly. People approach from three sides, a man and a woman go behind and beside him, to sustain him, to support him.

“By the fire that gives you strength, by the water that quenches your thirst, by the earth that holds the secrets of being, by the air that inspires you, by the fey that share their magic, the last stage of your purification has arrived…. You must call upon your strength to help you attain the center.”

The third woman stands before him with a glowing scarlet firebrand; the star blazes for a moment before she presses it to his chest. The smell of burning hair, a whiff of melting flesh, and it’s over. He does not cry out. He is transported; you can see it; he has a foolish smile smutched across his face that he can’t wipe off.

He is positively in the center now, of the gods. It is a night he will remember always, and particularly any time he notices the star-shaped scar the brand left over his heart.

For a moment, in pain, he was one with the gods. If pain can assist you in attaining the center, why not use it? I say it can’t hurt!

“DANGER BITCH ZONE” Ahead!!!!

Bitch Comments & Graphics
Most of the time, I try to keep my cool. I am an even-tempered, laid back witch. But right now I am madder than hell. I have stewed about this since yesterday and while cleaning up the house this morning. So right now I am about ready to blow my stack. This does not concern everyone that visit my blog, just a few. 

 It has to do with individual’s thinking I am stealing their material or violating copyrights. First off, I do not knowingly steal anyone material nor do I violate copywrites. Let me address the copywrites real quick, every piece of material I put on this blog I have permission to put it here. I am either a member of a group and know the individual. Then I have asked the individual themself if I can reuse their material on my blog. If they say, “yes” I use their material and if they say “no,” I don’t. But please for those concerned, keep in mind that I do have permission to reuse material for this blog. If I don’t, it does not appear on here. Now as for as me stealing other people’s work, I have never knowingly stole anyone’s work. I have said this a million and one times and I am now sick of saying it, “I am transferring material over from my old group, the old WOTC once was on MSN but now is on YUKU.” Go check it out, you will find a group called “WITCHES OF THE CRAFT” but it is closed to the public. It is loaded with material that I transferred over from MSN. The group on MSN has myself and five, yes, five assistant managers. We all worked our asses off to put information on the group. The material was transferred from the group on MSN to the group on YUKU just the way it was found. If it had an author and a link, I transferred it. If there was no author or link, I still transferred it. These assistant managers were preached to, by me, about providing authors and links to their material (if that was needed). Now I trusted these assistants to do the right thing. Well I guess my trust was misplaced.

I am tired of getting a comment or two saying, “remove my material or else!” I am sorry I am a trusting fool. But I AM NOT STEALING YOUR MATERIAL. I AM TRANSFERRING FROM THE OLD WOTC ON YUKU! I do not appreciate being called a thief because that is one thing I AM NOT. I absolutely despise thieves and liars.  Now the next time, someone finds their material or worried about a copywrite, I would sincerely appreciate it if you would inquire nicely about it. Because I am damn sick and tired of being accused of being a thief. 

 You know I get up and I do this every morning. I have no one helping me. It is me, myself and I that get up and works my ass off for about 4 hours a day. You know why I do it? Well for all of you that think I am doing it for MY FAME AND GLORY, you are so WRONG! I couldn’t give a damn if the world never knows who I am. But I do care about the world knowing who the GODDESS is. I do care about righting all the wrongs that WITCHCRAFT has been accused of.  I am not doing the work for my benefit, I am doing it for the PAGAN community and the WORLD. I made a promise to the GODDESS that I would do HER work. I don’t do this because I want to be known. I want to stay in the shadows and let my LADY, my MOTHER and my GODDESS shine. It is HER WORK I am doing. So remember we all are supposed to be on the same page here. We in the Pagan community are supposed to be spreading the word about THE CRAFT and THE GODDESS. We are supposed to have one goal and one intent. Remember that the next time you decide to jump down my throat. I believe the Goddess realizes what shit I have been through and I believe She won’t blame me at all if and when I  decide to jump back.  

Thank you for your time. 

 The Head Bitch  

 

 *Footnote* It just dawned on me in the kitchen, I am beginning to realize what persecution my ancestors felt and when through. Because if it ain’t coming from one of my fellow Pagans it is coming from another Religion. Oh, yes, I haven’t mentioned them yet, just give me time though. But yeah, I know how it feels to be all alone in the world and getting ready to be taken to the stake and burned, NOW!

~Magickal Graphics~

CRYSTAL AND CANDLE SPELL

CRYSTAL AND CANDLE SPELL

Items needed: Basic altar set-up including:
–salt and bowl of water, candle in color symbolic of need.
Shield, ground, and center. Cast circle.
Charge of the Goddess/God.
Cleanse crystal by sprinkling with water, then with salt. Say the following:
“This crystal is hereby cleansed and dedicated to the workings of the Goddess and God.”
With tip of crystal, scratch image, symbolic of need, on candle (i.e., a heart for love, a dollar
sign for money, a fist for strength.
As candle is scratched, visualize your need with crystal clarity as if it had already been manifested.
Chant to raise power. Place candle in candleholder, set crystal near it, and light candle.
Watch the burning flame and again strongly visualize and chant &/or drum.
Allow the candle to burn down.

Blessed Be

Blessed Be

Author: Ariel

Probably the most common phrase that we use in the Craft is “Blessed Be.” This phrase is possibly the major common denominator in all of the different Craft traditions.

It is something that is a unifying principle within Witchcraft and although it is the most often articulated saying we have, it seems to me to be the least understood one I know of.

When we say “Blessed Be, ” all too often it is simply new jargon, or a substitute for “Hi, ” “How are you?” or “Good Bye.” Yet, these two words comprise one of the most powerful and sophisticated sentences in the English language.

“Blessed Be” is an ultimate Zen phrase, “Blessed be that which is”; “All that is, is blessed”. We are recognizing a truth that all is inherently blessed. We are reminded that in the present moment, everything is perfect. There is nothing that needs to be changed, and nothing that needs to be improved.

In this moment, everything is sacred. Being at one with the sacred now is a blessed state indeed, and saying “blessed be” from that point of view is a potent statement of recognition of the perfection of this moment. There is no future to obsess about, and no past to regret.

There is only this moment; it goes on forever, and all is truly blessed.

Another important facet of this gem of a saying is that it is a constant reminder of our function in the Craft: We are here to bless.

Once we develop a significant relationship with Spirit, in whatever way it presents itself to us, we eventually come to recognize that what the world needs from us is our blessing. The only significant contribution we have to offer the world is blessing.

In any situation, with any person or group of people, we are here to say (and mean) “Blessed Be, ” either silently or aloud.

When we take an honest look at any problem in the world, it becomes apparent that the problem stems from a lack of blessing, and the only cure is to bless.

I know for myself, I can honestly say that anytime I have been less than loving or compassionate in my life, it was in response to a great deal of pain I was experiencing at the time.

What I didn’t need in order to turn my life around was more judgment, anger and criticism. What I needed was love and blessing.

I needed someone to say “Blessed Be” and mean it.

We are children of divinity–children of the Mother and Father, of Spirit, of God, or whatever you choose to call it. As divine children, we are here as expressions of our parents. We are here as lights in a dark world. Our function is to recognize the light and divinity in everyone else.

“Blessed Be” can also be another way of saying “The divine love in me recognizes the divine love in you”. We are here as healers of this world. Whether we take this job seriously or not will determine what direction our world takes.

We have the power to transform the world in every moment just by seeing any situation from the point of view that we are divine beings here to bring blessing.

It isn’t a question of whether or not we have the power to bless, it is a question of whether we choose to use it or not.

If we say “Blessed Be” consistently and mean it, this planet can heal very quickly.

One thing that I have learned in my life is that there is enough pain in this world. We all know what pain is. We have been to hell already; we don’t need to indulge in pain any longer in order to know we want something else.

I can honestly look at my life and say that what I really need is not more misery. I see that what many of us are doing is indulge in misery out of habit, or addiction. It takes a great deal of determination to understand that our addictions are not serving us any longer and then decide that we are going to relinquish our investment in them.

Unfortunately, like any addiction, we often wait until we hit rock bottom before we realize that we have a problem. In Alcoholics Anonymous, the first step to sobriety is for the alcoholic to recognize that they are powerless over alcohol, and that there is a higher power who can restore them to sanity.

This is what blessing is all about. Whatever our wound, the healing comes about from blessing.

If we have a strained relationship with another person, our greatest work to bring us happiness in that relationship is the honest blessing of that person.

If we have a problem with our job, the healing comes about from blessing the job, and all the people in it on every level.

The act of blessing that I describe is not an abdication of power; it is a reclaiming of power.

Some might worry that we need to protect and need to defend ourselves, and that if we are blessing all the time, it will just leave us vulnerable to attack. This worry comes from the erroneous point of view that Spirit is ineffectual. We would do well to remember that the power of love is fierce.

Spirit is intelligent. It knows what to do. When we bless the world, we are in a position of ultimate power. Just as when our physical immune system is healthy, it takes care of all the viral and bacterial activity without us needing to know what is happening.

The Craft of blessing results in building a spiritual immune system that is so strong that nothing can touch us. It is not necessary for us to carry out punishment (curses) on others in order to be safe and protected. In fact, cursing is a domain in which we leave ourselves the most open and vulnerable to attack.

Cursing is very subtle stuff. Curses aren’t necessarily consciously cast. Anytime we desire the pain and destruction of another person for any reason, we are withholding our blessing, and are by default cursing.

Resentments and grudges do come up however, and I am not suggesting that we are supposed to just suppress our feelings and pretend like we are not feeling rage when we are feeling it.

What I am suggesting however is that when we are feeling anything other than love for people that we recognize it and bring it to Spirit to heal.

This is the ultimate magic: transformation.

When we are feeling anger toward another person, we can say “Goddess, I am really pissed of at so-and-so, and want to crush their big fat head right now. Please heal this situation. Please bring me back in harmony with your compassion. Show me what I need to do in this situation, let me know what to say in order that this situation be healed.”

We aren’t denying our rage, but we are embracing our ability to move beyond it. A curse is when the rage and desire to destroy are kept within us to fester.

Curses are psychic malignancies.

Blessing is a silent art. Just because we bless someone doesn’t mean we have to have lunch with him or her.

Blessing is not about forcing our personal wills on any situation. It is simply recognizing the people and situation before us as divine, and seeing the love at the heart of whatever is going on regardless of the drama that is being played out.

We simply access the Spirit within us and ask for its will to be done in our presence. We withdraw our preconceived notions of what is supposed to happen, or what we think we want to have happen, and allow ourselves to invoke the presence of pure love.

When we are facing a problem, and we think we have tried everything, it is very important that we ask ourselves whether or not we have given our blessing. Often this is something that we have overlooked.

I can’t count the number of times I have been in the throes of misery and the one thing I have NOT tried is asking Spirit directly to take the problem and heal it for me. Once we renounce our addiction in the pain, we are transformed.

We have shifted our plane of experience from one of cursing, to one of blessing.

There is no more simple, or more powerful magical charm in the universe than “Blessed Be.”

The Term “Fluffy Bunny” Must Go

The Term “Fluffy Bunny” Must Go

Author: Praxiteles

I believe that the term “fluffy bunny” is not only not useful or practical, but harmful, and that we should abandon the term.

So, why must “fluffy bunny” go? In my opinion, there are the five main reasons why:

1. The term “fluffy bunny” is itself fluffy bunny.

“Fluffy bunny” is defined variously, but the general notion is that of a person who doesn’t check their facts (or even care about ‘facts’, historical or otherwise); who accepts or dismisses something without critical thought; and who goes around spreading their dogma as if it is the one True Way. The usual example given is of someone who buys one book on the Craft, or several books but all by the same author, and takes this author’s approach and viewpoints as Gospel, and then goes around annoying the heck out of everyone else. When challenged or questioned on anything, the “fluffy bunny” can’t defend or explain their position, except with something along the lines of “because so-and-so says so.”

Now I agree that this behavior is rather unimpressive, and that “because so-and-so says so” isn’t any kind of reasoned response or valid argument. However, have you maybe noticed that the same people who throw around the “fluffy bunny” and “fluff” and “nonsense” labels the most are often the very people who can’t explain why a particular author or book or person is so bad, so “fluffy”? Instead of taking the trouble to back up their assertions with reasons and facts, they just slap on the “fluffy bunny” label and pour on the derision and contempt.

To my mind, this is type of behavior is worse than the behavior being criticized.

Labels and stereotypes are the tools of guilt, shame, manipulation, and domination. They bypass reason and consideration and go straight to an emotional level. No tyrant or demagogue has ever been able to dispense with these tools; no genocide, no atrocity, no war has ever been committed or fought without their help. They stop you from considering the people involved, from thinking of the person, the human being.

Fluffy bunny in drag isn’t any better than fluffy bunny. The website Why Wiccans Suck, for example, isn’t any more thoughtful or profound than that which it attacks. If someone hates someone or something because it is “fluffy bunny”, and when asked for an explanation why can do no better than say, “because it’s fluff and nonsense”, well then, I’m sorry, but I don’t see any essential difference between the behavior they are exhibiting and that which they are attacking.

And supposing that someone can articulate many good reasons why something is bad then why fall back on a crutch, on a label like “fluffy bunny” in the first place? Wouldn’t a paragraph or two of articulate and reasoned criticism be so much better?

2. “Fluffy Bunny” is a straw-man term.

Has anyone ever actually met a fluffy bunny, either in real life or online? Perhaps some people have, but I haven’t! Looking over the more serious definitions of what a “fluffy bunny” is, at, for example, Wicca for the Rest of Us, I can’t see that there could possibly be very many bona fide fluffy bunnies running around out there. And keep in mind that those people who are de facto fluffy bunnies due to ignorance, and who stop being such when confronted with the facts and better information, are not fluffy bunnies.

Fluffy bunnies, according to the definition, are those who ignorantly and stupidly cling to whatever they hold up on a pedestal, regardless of the facts. Now, really, how many of those people have you met?

So, why is this term so prevalent? Is it perhaps because its use makes people feel good because it implies that the user is not a fluffy bunny, is in fact a “real” Witch? A “serious” Witch? I think sometimes this may be the case, or partly the case, and this brings me to my next point:

3. “Fluffy Bunny” is manipulative and plays on the fears and desires of the inexperienced and insecure.

For the record, I include myself here. The stupidest thing I ever wrote online is when I asked for a definition of a “pop Wiccan” because “I didn’t want to be one, ” and knowing what it was would help me from becoming one. But, really, how could I know that I didn’t want to be a pop Wiccan if I didn’t actually know what a “pop Wiccan” was? I couldn’t. It was stupid. Or actually, it was insecure.

I greatly admired (and still admire) the person with whom I was talking, and wanted to avoid what she despised or dismissed. In other words, instead of thinking for myself, I wanted her to think for me. This is not what being a Witch is all about–quite the opposite–regardless of whether the opinion or position was right or wrong.

Witchcraft isn’t about having the “right” opinions, or reading the “right” books, or being taught by the “right” Coven–not if “right” is something you dogmatically and thoughtlessly accept from others.

The widespread use of the term “fluffy bunny” and terms like it, creates an atmosphere of negativity and nastiness, and this atmosphere tends to focus the attention on opinions and positions instead of on process and methods, which help develop discernment and skills.

It’s got a bunch of people out there wasting time trying to avoid being a “fluffy bunny” when they don’t even know what that really is, and could thus only accept the judgments of others on the subject, and hence perpetuate the fluffy bunniness of the term “fluffy bunny.”

Wouldn’t it be better to focus attention instead on learning and progressing? I suggest that maybe the best thing we can do is not to be afraid of being called “fluffy bunny”; not to be afraid of reading a book reputed to be “fluffy bunny”; not to care so much what others opine, but instead to care more about trying to find the truth for ourselves.

I think dialogue is good; discussion is good; considering the thoughts and reasoning of others is good; by all means engage in these activities (as we are right now). But I think that accepting labels and bald dogmatic assertions, even from those with more experience and skill, short-circuits all of these good things.

4. “Fluffy Bunny” is authoritarian.

It seems to me that those who use a label, a stereotype, like “fluffy bunny”, necessarily imply that they are an authority. They are asking you to take their word on something, unless or until they bother to explain the reasoning behind the judgment.

And, please! I am quite sure that there is always someone out there who thinks that you and your way is “fluffy bunny”; always some group ready to look down on the group looking down on a group just finding their way as best they can; always someone ready to point out what you are not, what you have not, where you are unworthy of serious consideration.

Wouldn’t it be better to just stop with all that? Don’t we have better things to do with our time than criticize and condemn and judge others and how they practice? We’re not monotheists! We have no orthodoxy to defend; no Tradition to keep pure and untainted. Can’t we instead use all of that extra energy to strive all the harder to live and practice to the best of our ability?

5. It will hurt your magick.

Or at least it did me. I have found that contempt and disrespect is not something that will enamor my Younger Self to my Talking-head Self. Contempt is spiritual and magickal poison in my experience. It goes hand in hand with skepticism and snobbery.

Obviously, this is only my experience. Test things out (if you haven’t already) and see for yourself. Try for a day, or for 8 hours, to bend your mind to the good in people and situations. Do not indulge in contemptuous or belittling thoughts towards others or yourself. Now cast a circle or do a pathworking or LBRP, or whatever practices you do, and see if you notice a difference. Perhaps you will find that it is easier to reach ritual or magickal states of consciousness. I certainly do.

But, don’t get me wrong here. You don’t have to go around fooling yourself into believing everyone is an avatar of perfection. You don’t have to check your discernment at the door. You just have to avoid holding others in contempt.

So those are my reasons. Perhaps you found them interesting and worth reading, or perhaps not. But either way, I do understand the problems and frustrations behind the widespread use of the term “fluffy bunny.”

I understand that there are plenty of people out there playing at being Witches; dabbling, posturing, looking for instant gratification, and I understand that many serious Witches are concerned that these people drag things down to a lower level and give Witchcraft a bad name, and so on.

I do understand that.

What I don’t understand is why we give them so much thought, and even a stereotype, when instead we could have given their opposite as much or more thought, and held it up as a shining ideal.

Fluffy bunnies are, after all, immune to criticism by definition, right?

In my opinion, it’s better to show what you think is the way forward, and the ideal, than to waste time and thought on where you do not want to go, on what you do not want to be. People will scatter from the latter in every direction. But people will go towards the former from every direction.

So shouldn’t we think about abandoning the term “fluffy bunny” and focus on the opposite?

How about the “sleek raccoon” or something?

Solitaires Are Pagan Too!

Solitaires Are Pagan Too!

Author: Crick

Guess what, folks? Solitaires are pagans too!

Over the years I have personally visited many a different gathering, have been a participant in many divergent conversations and have been a member of numerous chat groups. And there seems to a divisive undercurrent in certain parts of the pagan community that solitaires are less pagan than anyone else. Good grief, do we really need this kind of elitist nonsense?

Neo paganism as it is today has to vie for acceptance in the general community at large because of misguided stereotypes. Because of the modern mind-set where everything has to fall under instant gratification or risk losing ones attention, there is a serious lack of will and discipline when it comes to learning the ages old principles of the Craft.

Add to that the proliferation of Christian concepts into paganism due to the influx of former members of that particular religion; and at the end of the day, neo paganism has more then its share of internal problems. Do we really want to ostracize folks simply because they want to pursue their spiritual path as individuals without a membership in a coven or similar gathering?

Does this attitude really make a particular gathering and/or person more pagan, then others? I personally have spent half of my pagan related journey involved with a family clan and covens and half as a solitaire. Does this make me only half as good a witch as I could be?

There seems to be one group in particular that has a problem with solitaires, which is something that I don’t understand at all. Please understand that this is not about singling out and pummeling any particular group, just a pragmatic view at issues which affect us all as pagans.
As such, the Wicca seems to be the one group that solitaires consistently cite as having divisive issues with. How the Wicca set up and run their gathering is no ones business but their own, but there are a few questions in general that begs an answer.

The Wicca has a well-known tenet that “all Wicca are witches but not all witches are Wicca”. It has been explained to me by various Wicca that one is not a true witch unless they have been initiated as a Wicca. For without such initiation one cannot be validated through lineage. This particular mindset would certainly leave out solitaires for such folks are usually self-initiated.
And any witch who came before 1954 and/or since who is not a Wicca would also be excluded under such narrow tenets.

Yet, unless I am missing the mark, paganism in general and witchcraft in particular did not begin in 1954 CE. And so such views leave the taint of elitism in the air.

So lets look at this viewpoint from that of a solitaire.

First of all, one could question what in the world does lineage have to do with the Craft?
Regardless of who from the mid 1950’s till now is in ones learning tree, it is the individual who is responsible for ones own spiritual growth and the way that one engages in acts of energy and other aspects of the Craft. If I may use an analogy, one can pay an instructor to teach them to be a black belt in karate; however the belt is only as good as the person that is wearing it at the time.

I realize that folks like to have a family tree or “lineage” as is the case here, to present to their peers, for bragging rights. But for all intents and purposes, it has little if any practical value in the Craft. When it comes to working with energy, even covens are made up of individuals who come together to weave their energy into a tapestry made up of their individual wills. So why solitaires should be disparaged for doing what is natural to them is a mystery unto itself.

Perhaps such thoughts present themselves within Wicca because in part, Wicca is fashioned off of the ideals of the Masonic Order. And those folks place a heavy emphasis on lineage. And yet another point to this concept that is confusing is that Cunningham was a self declared solitaire even though he was associated with the Wicca movement. Does the Wicca think less of an author who played a huge part in bringing them to the public eye even though he saw himself as a solitaire?

When Cunningham wrote and published his book Wicca for the Solitary Practitioner, was there any attempt by the Wicca to block such a hugely popular book? And were the proceeds from this book turned away because they were predicated upon unacceptable concepts as endorsed by the Wicca?

One cannot have it both ways. A group cannot accept the vehicle that brings them their greatest source of recognition and then denounce the folks who follow the precepts that such a vehicle was created from. That is commonly referred to as hypocrisy.

And this brings me to my next thought.

If such a well-known advocate of Wicca is given the nod to write a book for solitaires based upon Wicca tenets, even if it was a tacit nod. And then there is a ground surge of interest in Wicca because of said author, couldn’t one assume that there will be folks who will want to identify with Wicca without becoming a formal member of a Wicca coven?

Should such an interest and desire be used as a platform to snub folks in order for those doing the snubbing to feel more important about themselves? Is that what paganism is about?

Another tenet held forth by the Wicca is acceptance of others beliefs and the idea of diversity. Where do solitaires fit into these grand ideals or are such ideals, simply superficial window dressing for something else all together?

If it was okay to lure such folks into the fold when a profit was being made, should they be shunted aside now that they no longer serve such a purpose?

Paganism in general is considered a minority belief system because of the very successful propaganda put forth by the three main organized religions. Do we as a perceived religious/spiritual minority really want to turn away solitaires who are just as devoted to their spiritual journeys as are any other kind of pagan?

At the end of the day, there is no pagan group or gathering that is loftier then any other. For every gathering is the sum of its members. And even if that gathering happens to number only one member, they still count.

It would be a real act of maturity and growth if the pagan community as a whole would spend less energy on the “my pop is bigger then your pop mentality” and concentrate instead on the issues that “really” matter in a magickal and nature based belief system.

I’m sure that Mother Earth would appreciate a bit more attention.

Neo paganism in general seems to be wrapped up in convincing others of our ilk, of a perceived self-importance and level of ability, which in all reality so few have actually taken the time to cultivate. The rest of the time is taken up in trying to convince society in general which consists of the conquerors that we are a valid belief system, though paganism has been just that, for eons.

What causes such insecurities one may ask? And what causes one pagan associated group to feel that it is necessary to diminish those such as the solitaires, in order to elevate themselves to a dubious standing?

In my personal life I have served for a number of years as a HP of a very active witchcraft coven and yet as a student of shamanism, I practice as a solitaire. Does that make my glass half full or half empty? Or does it really matter?

At the end of the day, all of us, whether we practice as a solitaire or not, still have to answer to our chosen Deity in regards to our spiritual growth as individuals. And so in essence we are all solitaires at heart. Let’s put to rest the hypocrisy and antipathy over solitaires for they are our brothers and sisters walking a common ground.

Besides, elitism is nothing more then a façade that is devoid of any real substance.

And so in closing, yes, solitaires can be witches too!

Are The ’13 Goals of the Witch’ Being Thrown Out the Window Today?

Are The ’13 Goals of the Witch’ Being Thrown Out the Window Today?

Author: Gullveig

The 13 Goals of the Witch has been attributed to Scott Cunningham and other authors, but is treated by traditionalists and non-traditional Pagans alike to be the cornerstone of what a Witch is. However, many Pagans pay lip service to these rules in public while going against them once they are in their own groups and private lives. Even our group leaders, who are supposed to support and encourage us, fail in passing on these goals and living by example. How can we be great Witches if our leaders are backstabbing and living chaotic lives? Simple. We can’t. So we have to be those leaders.

Each goal is listed with a modern explanation below, most having to do with how I see those goals being violated in our Pagan community and how to stop such behavior.

Know Thyself – This is the most important of the goals. This goal is often taken as if you are a jerk in life and you know it, then you “know yourself”. People do believe this. Know Thyself, however, means to be constantly working on yourself, to know your shortcomings and not give in to them. It means also not to make up excuses for bad behavior. If you do not know yourself or work on yourself to make yourself better and therefore be in a spot to help others become better, you might as well not be a Witch.

Know Your Craft — The Craft is a vague word for getting to know your world; because anything you learn in the world can be applied to Witchcraft. I have known natural Witches in my time that would say they could do magick without reading a single book, but these Witches I found had no sympathy or empathy with the world around them. You need to learn about religions, even Christianity, the good points and the bad, in order to see how paganism fits in the time frame of history and religion. On top of this, you need to practice, meditate and keep notes of your observations. That way you can reflect on them and share them with others.

An open mind is key, but there are a good number of Witches out there that can be as judgmental as those closed-minded. A Witch who isn’t educated in the sense of being a “world student” isn’t a true Witch.

Learn — How many of us learn from our mistakes? How many Witches redo the same hurtful actions to others without thinking, “Maybe I shouldn’t start any ill will in the Pagan community?” The role of learning goes way beyond books and knowing your Craft, but how you apply the knowledge gained. It is to learn how to fix problems, heal hurt and bring people together instead of gossiping, sneering at the nemesis coven down the road or sitting back and doing nothing when you want a problem to be solved. This learning is key to being a moral Witch. We only will repeat ignorant actions if we never learn to stop them.

Have Patience — Patience is essential for the Craft. You have to have the patience of a spider, still in its web in order to deal with others and your life goals. People take advantage of patience, such in covens where one person does all the work and the others come and go when they please, not understanding the violation of trust they are causing. They hurt this person by thinking that the person will always have patience with them. It is up to every single witch to be patient and also not violate the patience of others, even if they have a lot of it. It is the one goal that is used most by others disrespectfully.

“Don’t like the childish way I am acting? Don’t you have patience? A Witch has patience, so you shouldn’t be upset I am here two hours late.” Don’t be one of those people. Don’t turn patience on those in your life.

Apply Knowledge With Wisdom — A Witch can know a lot about the world. But Witches that run off at the mouth about this knowledge can be show offs. A true Witch takes what he or she has learning and tapers it with wisdom, also known as tact. If you are a leader, don’t put down others because they don’t understand what you know.

If you are a student and your coven is being immature, speak out about it; use your knowledge to help to solve the problem. Add action into the mix of knowledge and wisdom, and you can be a Witch who does good for yourself, your group, the Pagan community and for humanity and the world. Use your knowledge for good too, not to put someone else down. Set a good example to others about what a Witch is.

Achieve Balance – Witches try to live lives of balance, not chaos. Yet many Witches try to live lives of drama and anger. Some think being a Witch will add spice or drama to their lives. Some of these Witches do it intentionally; some may have an inner problem they need to work on. They might not mean to cause harm by the chaos in their lives, but give into it.

A Witch’s life should be like the calm sea. Not that storms can’t rage in the sea, but problems are taken care of. Stress is controlled and moderate. A Witch tries to combat anxiety and depression, not let illness take over them. A Witch tackles problems head on and doesn’t let others do it for them. Sometimes in the Pagan community, people try to hurt those who have balance. Maybe it is human nature, but it is a sad display of our Witchcraft community to hurt someone just because your life is chaotic and theirs isn’t.

Keep Your Words In Good Order – This means, no gossip and gossip runs rampant in our community. I’ve known Witches who have gone out of their way to say insulting things to others. If you wonder why the Pagan community isn’t taken seriously, this is why. You can’t be a good Witch if you are smiling and talking to someone at a Pagan event, only to stab him or her in the back once you are done. I’ve had people praise a Pagan ritual only to laugh at it to others once it was done.

If everyone would lock their lips and not try to hurt others with words, more problems would be solved or probably wouldn’t happen in the first place. Your words are your honor and those who use them badly don’t have honor for the Craft. If your words don’t ring true, people can’t take you seriously. They will never know if you mean you will show up for event or can be trusted if your words don’t match your actions. So say what you mean and follow through with your actions. If you say you are going to do something, do it. No excuses.

This goal can be lifted if you are having abuse problems with your coven. By all means if someone is hurting you mentally, psychologically or physically or threatens you in a pagan group or coven, let the Pagan community know. This not only helps you, it also helps those who might end up getting the same teacher or stop them from having a bad experience. Don’t let the seriousness of this goal stop you from using your words to make things right. Sometimes a little speaking of the mind works miracles, even if it is tough love.

Keep Your Thoughts in Good Order – Try to solve problems. Sometimes people don’t care how you feel so you have to take the time to get over that and move on. It is hard not to hold malice if someone hurts you, but holding in means thoughts about a person inside yourself will only hurt you. Try to talk and if that person doesn’t wish to listen, move on. Don’t dwell on bad things in your life. This goal is much like keeping your words in order.

Speak out when a situation is bad; use your thoughts to try to heal it. Think good of people. If you can’t then try not to think about the person or situation at all, if you tried your best to clear it up. But please, use your thoughts and words to try to problem solve instead of doing nothing. Make your thoughts strong and positive. Focus on goals. Live those goals. And be aware getting over problems can take a long time. Give yourself that time.

There are comments in our community that state there will never be any more Scott Cunninghams or Doreen Valientes. But we can be. Why can’t I use that as a goal? Why defeat myself with the thought I can never be grand? These thoughts are what hurt our community. We need thoughts with more ambition. We need to think we can all be leaders and that starts now!

Celebrate Life — Celebrate your own life, the lives of others, the lives of animals and nature. This means not harming nature. This one can be tricky if you own a car. But try to respect nature by being as eco-friendly as you can. Some Pagans I have encountered smoke like chimneys, flicking their butts into the street and littering the road with pieces of paper from their cars. It is like kicking the Goddess in the face. She made you this great world and you litter and make it toxic.

Take care of others, work in the community, donate items to your Pagan community, and ask how you can be of service. It isn’t only about having fun, but when you celebrate life, you should have that too. You are a Pagan, connected to all life. What hurts humanity, should hurt you. You should want to take action, even in small ways, like recycling or spending time helping those less fortunate.

Be happy for what you have. Maybe of us Pagans come from countries where we think luxury items are needed for our survival, but we don’t take time to reflect how lucky we are to live in places where we can get an education and have our wants taken care of. One should pray to the God and Goddess for these gifts.

Observe insects and other animals. Pay attention to the value of life. Take joy in the flight of a month or the jumping of a cricket. Or the smile of a friend.

Attune With The Cycles of the Earth– I am surprised by the number of Witches who don’t celebrate the Sabbats or Esbats. Even if you don’t have a ritual, one can toast Demeter during Lammas, for example or harvest berries during Strawberry Moon. Talk to animals and trees. It may sound overly hippie, but you will find you connect. As I said before, many Pagans I have seen, even leaders, throw trash into the street or don’t keep the Sabbats. How will students learn if their leader doesn’t care if it’s the full moon or not? Again, they won’t.

Not keeping the Sabbats also creates a wishy-washy year for students and missing pages in their Books of Shadows. If a group can’t meet, a ritual should be provided for those to do at home. Solitary rituals should be encouraged. I find writing my own rituals helps me develop as a person, because I put myself and my goals into them. They transform me into a better person.

So attune yourself with Mother Gaia, plant native plants, treat animals with respect, acknowledge and learn the cycles of the moon and names of the seasons. Even their symbols. If you don’t live in a place with four seasons, use the ebbs and tides of your areas or imagine how it must be to live in a place with snow in December.

Being a transplant from the Midwest to Southern California, it is hard to do, but must be done. There are lessons for each season to that reflect into one’s own life. It is hard to be a Witch without knowing the land, the grass, the sun, the moon and the stars.

Keep Yourself Healthy – This means, healthy food, no smoking, no excessive drinking, exercise and no harmful activities affecting the body. Yes, I know pagans who tan in tanners, who smoke, who drink and who have even done drugs. This violates the temple the Goddess has given you.

I am not saying you can’t have a burger if you want it, or a cigar at a party, but constant use of these or addiction to them can hurt your temple and also hurt your mind and your outlook on life. I don’t think one has to be a vegan to be a better witch, but a healthy diet helps. I do eat meat, but sparingly. I would smoke a cigar at a party. Yet I don’t have addictions to these things.

As your body ages, you realize you may want to become healthier and quit even the occasional cigarette or dinner of fast food. That happened to me! I even know people I tried to teach meditation too that coughed when they took long breaths because of smoking. So how can you meditate if you can’t even breathe?

Take care of yourself. Be a healthy weight. Note I didn’t say starve yourself either. A person can be a size 0 and be very unhealthy. Witches look healthy and alive. Even the Goth ones. (I would consider myself Gothy by nature.) Take care of yourself before you have to see the doctor.

Meditate – Meditation is a state of mind. It can be from a book or walking along a shady path in the woods. All Pagans should make time for personal meditation and reflection. They should make time to talk to their deities or to nature. This can be a time to write out one’s problems in a journal or to be creative. To me, this should be at least an hour a day, or more ideally, an hour in the morning and an hour at night.

If you don’t think you have time for meditation, you do. Turn off the TV, get off the computer and find a silent place to be. Let your thoughts go. Sit quietly and hear the world around you. Fall into that noise and be. Get books on meditation if you can’t focus. All Witches should be able to meditate because you need to be able to focus in rituals and to direct magickal energy, for example, in spellwork. It is a very crucial part of our religion, being able to focus our will.

Honor the Goddess and God — I wonder when this one went out of style? I have run into a lot of people who tend to speak very vaguely about Gods. As if I need to hide my Athena worship from someone who is into Freya as not to offend their sensibilities. There are a lot of Gods out there and some pagans who don’t even have Gods, but to me, there is nothing more spiritual than making an altar to a God and praising them. I feel it connects action to ritual. It tells the ritual where to go.

So what if someone does a ritual to Shiva when I only worship Diana? Can’t I get something out of that ritual as well? I also find Pagans calling and dismissing Godforms like they are puppets to do their bidding.

What happened to thanking the Gods? Thanking the Sun and the Moon, being grateful for each day given? Listen to what the Gods say to you. If you have a pantheon, read up on the Gods in it. Sometimes I go to rituals and people, even though they are in a coven with a certain pantheon, the members of that group can’t even recite the names and myths of their Gods. It’s a shame.

Study up on the Gods, read mythology and folklore; learn how stories connect to people in real life. You will learn much. Planting an organic apple in the ground for Venus or pouring spring water in the ground for Elen of the Ways is good practice to showing the Gods you appreciate them.

Looking at these goals, I can see why they have stood the test of time and people use them as public domain, though I know that Scott Cunningham’s Wicca: A Guide for the Solitary Practitioner has these goals phrased like this but I have seen it in many other forms. Using this goal list as a moral framework, a Witch can succeed in magick and working in the community, both the Pagan one and world of humanity and nature.

As Witches, we need to go back to structure in our practice and not freeform, to turn our passivity and bad character traits into ones that benefit life, from without to within. I urge you to print these goals out and follow them. I challenge you. And in meeting the challenge, we can be better Witches and better people.