Where Did All The Myths About the Besom Come From?

Where Did All The Myths About the Besom Come From?

Some authors claim that the oldest known source of witches flying on broomsticks is a manuscript called Le Champion des Dames by Martin Lefranc, 1440. This might be one of the oldest images representing a hag on a broomstick, but it is certainly not the first. A wall painting from the 12th century in Schleswig Cathedral (Germany) shows the Norse deity Frigg riding her staff.

If we really dig a bit deeper into history, we’ll find that from the Roman world there are reports that mention witches flying on broomsticks as well as having used ointments, as early as the first century. They were called Straigae (Barnowl) and the Lamiae from Greek culture had similar characteristics. Later in Roman history, the goddess Diana was the leader of the Wild Hunt:

“It is also not to be omitted that some wicked women, perverted by the Devil, seduced by illusions and phantasm of demons, believe and profess themselves in the hours of the night to ride upon certain beasts with Diana, the goddess of pagans, and an innumerable multitude of women, and in the silence of the dead of the night to traverse great spaces of earth, and to obey her commands as of their mistress, and to be summoned to her service on certain nights”.

Similar beliefs existed in many parts of Europe. From Norse mythology, we know that the army of women, lead by Odin (Wodan), called the Valkyries, was said to ride through the skies on horses, collecting the souls of the dead. In continental Germanic areas, the goddess Holda or Holle was also said to lead the Wild Hunt and is connected to chimneys and witchcraft. Berchta or Perchita, another Germanic goddess, which can be identified with Holda, has similar characteristics.

Again in Celtic Traditions, the Horned God Cernuous, and/or Herne the Hunter was leader of the Wild Hunt and the Scottish Witch Goddess Nineveh was also said to fly through the night with her followers. Eastern Europe sources also have a wealth of folklore about witches flying through the air. So flying through the air, evidently, was a deeply rooted mythological theme, associated with the free roaming of the spirit, the separation of soul and body.

The Broomstick

The Broomstick

The traditional companion of the witches was the enchanted broomstick, used for their wild and unholy flights through the night and probably to some distant Witches’ Sabbat. This is one of the first images you get to see as a child and this was doubtlessly believed by the prominent rulers of Europe. The number of
actual confessions of witches doing so is remarkably small. Usually confessions state that they went to the Sabbat on foot or on horseback.

Legends of witches flying on brooms goes back as far as the beginning of the Common Era. The earliest known confession of a Witch flying on a broom was in 1453, when Guillaume Edelin of St. Germain-en-Laye, near Paris, stated that he had done so. In 1563, Martin Tulouff of Guernsey said to have seen his aged
mother straddle a broomstick and whisk up the chimney and out of the house on it, saying “Go in the name of the Devil and Lucifer over rocks and thorns”. In 1598 Claudine Boban and her mother, witches of the province of Franche-Comt, in eastern France, also spoke of flying up the chimney of a stick. The belief of
flying off though the chimney became  firmly embedded in popular tradition, although only a few people ever mentioned doing so. It has been suggested that this idea was connected with the old custom of pushing a broom up the chimney to indicate the absence of the housewife. The Germanic Goddess Holda or Holle is also connected with the chimney.

Other indications that lead to the popular belief that witches actually flew on broomsticks can be found in an old custom of dancing with a broom between the legs, leaping high in the air. In Reginald Scot’s book, The Discoverie of Witchcraft, published in 1584, we find a similar description:

“At these magical assemblies, the witches never failed to dance; and in their dance they sing these words, ‘Har, har, divell divell, dance here dance here, plaie here plaie here, Sabbath, Sabbath’. And whiles they sing and dance, ever one hath a broom in her hand, and holdeth it up aloft.” Scot quoted these descriptions of Witch rites from a French demonologist, Jean Bodin, who made observations of a kind of jumping dance, riding on staffs. These customs might have contributed to the popular picture of broomstick-riding witches through the air.

In 1665, from the confession of Julian Cox, one of the Somerset coven, mentioned “that one evening she walks out about a Mile from her own House and there came riding towards her three persons upon three Broom-staves, born up about a years and a half from the ground. Two of them she formerly knew, which was a Witch and a Wizard”.

Broomstick Weddings

Broomstick Weddings

“To marry over the broomstick,” “jump the besom”, was an old-time form of marriage, in which both parties jumped over a broomstick to signify that they were joined in common-law union. Also in the Netherlands, one can still find the old saying “over de bezem trouwen” (marrying over the broomstick). At gypsy
wedding ceremonies, the bride and groom jump backwards and forwards over a broomstick. A besom used to be placed before the doorway, the married couple had to jump over it without dislodging the broom, from the street into their new home. At any time within a year, this process could be reversed to dissolve the
marriage by jumping backwards. All this had to take place before several witnesses.

In folk-belief, like that in Yorkshire, it was unlucky for an unmarried girl to step over a broomstick because it meant that she would be a mother before she was a wife. Light-hearted wags used to delight in putting broomsticks in the path of unsuspecting virgins.

Handfasting and Marriage Broom Lore

HANDFASTING AND MARRIAGE BROOM LORE

As a Priestess and Wiccan Minister, I perform several Handfasting Rites per year. One of the main things I encourage Wiccan engaged couples to do is to find a broom together. This is the symbol of hearth and home. Once the broom has been found, then it is anointed as I stated above, then some of the broom brush is pulled from the stem. That brush is then woven together and placed upon the wedding altar. The broom is present during our counseling sessions and then the wife-to-be is usually the keeper of the broom until the wedding. This represents that she is the keeper of the home and keeps peace and harmony while the man
goes out to work. It also means that she is the keeper of the Magickal power of the home. As it seems in these modern times that this is wrong to have such sexed roles, this is Celtic lore from more than 600 years ago.

The night before the wedding, the couple will dress the broom by weaving 3 strand of colored ribbon around the handle. What this represents is the inter-twining of their lives and they themselves are no longer individuals but are part of each other. The broom is then placed either standing by the altar or placed lying under the altar during the ceremony as the vows are said, the promises made, that hands fasted. They are pronounced husband and wife and the broom is then put before them as the final test of love. The couple either steps, or in old tradition, jumps, over the broom. This is the final end of the ceremony. Then it is recommended that the couple takes the broom home and makes love with the broom under the bed. This seals the marriage.

Your broom can be your best friend and your magickal ally. Treat your broom with honor, reverence and respect and you will have a life-long companion and ritual tool.

Brooms or Besoms

Brooms or Besoms

A broom is used by many Witches to cleanse an area of baneful* energies before a rite. They can represent the air or fire element, depending on each practitioner’s tradition. The staff or handle is considered masculine, while the brush or broom part is considered feminine. This uniting and balancing of polarities makes the besom a natural choice for Handfasting rites. Brooms also represent purification, protection, fertility and prosperity.

The classic images of Witches riding broomsticks may have originated from ancient fertility rites. People would jump high in the air on brooms to ‘show’ the crops how high to grow. This is a form of sympathetic magick.

There are many other myths and associations of Witches with brooms. In Ireland, the besom was sometimes called a “Faery’s Horse”. In medieval times, the besom was equated with marriages outside of the church. So much so, that it was recorded that weddings ‘by the broom’ were to be considered illegitimate.

The broom eventually became a symbol of antiestablishmentarianism and and sensuality. This led at one time to the word ‘besom’ becoming a slang term for an easy woman. These associations may have been promoted by the church to discourage marriages outside of the church.

 

 

Chapter 13 of “The Magical Household” by Scott Cunningham and “An ABC of Witchcraft” by Doreen Valiente have additional information and lore about besoms.

*Baneful in this instance is defined as energies that are not conducive to the working at hand, are harmful, or are considered negative.

The Care & Feeding of the Wicca Broom

THE CARE AND FEEDING OF THE WICCA BROOM

As Witches, we need to be aware of the Ancient Broom Lore that has been passed down to us from those wonderful Crones of the past.

1- Never leave home for long periods of time without telling your broom.

2- Treat your broom as you would any other member of your family, with honor, reverence and respect.

3- Magickal Brooms are not regular cleaning brooms and should not be used for such mundane tasks.

4- Never leave your Magickal Broom outside your cast circle.

5- Speak with your broom as you would speak to other members of your family or coven.

6- Never leave your Magickal Broom outside in the weather unless you ask the Broom.

7- Oil your broomstick with every turn of the wheel.

Brooms have long been known for their magickal ways, probably due to it’s shape, use in purification rites and kinship with magickal wands and staffs. The common household tool has been known to be so sacred that in many parts of the world there are Broom Deities.

Sao Ching Niang – The lady with the broom who lives in the Broom Star. When there is too much rain and the crops are threatened, it is not uncommon in China to see pictures of Brooms hanging on the front door or fences to bring clear and sunny weather to the field.

As this is invoking the Great Earth Goddess herself, the Broom Star is the fertile womb of our Great Goddess, and thus she gives us life of the fields that are represented by the Corn Fields. Hence the broom is brought into our homes from the womb of the Goddess.

In Mexico, the Witch Goddess Tlazoiteotl is depicted riding on a broom. This symbolizes the coming of the night, the dark part of ourselves, the growing darkness of the winter.

The priests in South America hve been known to burn offerings of owls and snakes. These were offered at the dark moon. Through these offerings, the people were calling upon the Broom Witch to sweep away their transgressions.

My grandmother was a Broom Witch. Here are some of the old magickal things that can be done with a broom. On a hot summers day, I would watch her go out on the front porch and swing the broom over her head. Grandma would just tell me to be quiet, the rain was coming. And if fact she was right. A few hours later we always had rain. So Granny would call the rain with her broom by swinging it clockwise over her head.

In turn, if it was raining too much, she would go out and talk with her broom for a while on the front porch. She would sing “Rain, rain, go away, come again some other day”. Then she would raise her broom and swing it over her head counter-clockwise to stop the rain, and again, a few hours later the rain would stop.

With some practice, I know have mastered this little broomlore spell. I find it handy to tell the broom what I want it to do before I do it, then I say my incantation and swing the broom.

The Care and Feeding of a Magickal Broom

THE CARE AND FEEDING OF A MAGICKAL BROOM

When you first get your broom, always greet it by rubbing your hand over the entire staff of the broom. Learn the body of your broom, inspect it’s divets and curves. Use anointing oil to open and activate your broom. A good oil is made from rosemary, thyme, myrrh and lavender in base oil. Make this oil by the full
moon and then open your broom on the first day of the new moon.

When getting a new broom, it’s always good to talk with it awhile. I usually carry mine along with me in my car, and I sleep with it by my bed. Talk with your broom, it’s amazing how much these magickal tools have to say to us and how lonely they become when cast to the side. When shopping for a new broom, always put out your intention on the day after the new moon, burn pink and white candles, and ask for the right broom to be shown to you. My preference is a broom made with natural corn, or harvested brambles. I like to find a natural handle for the broom. Elm, birch, ash, oak, sassafras, those are all really good magickal woods to use as broom handles. If you are lucky to live in a natural area, you can make your own from the Divine Goddess Garden. If you are a city dweller, local shops sometimes carry natural brooms that are hand-tied. Usually they are found at local gift shops or craft fairs. Also go to the local Antique mall. Sometimes you’ll find an interesting retired broom that would like to be put back into service. Nothing is worse then to have a wise old broom and not have it in use.

After your broom has been chosen and spoken to, then start using it to call in your circle. I point the broom in the direction that I’m casting and use this to focalize the energy.

Once the circle is cast, then I lay the broom across the east to guard the entrance until my magickal work is done. I also sprinkle salt in the east over the broom to strengthen the seal, especially if I find myself doing some intense spell casting.

Once I’m done with casting my magickal work, I thank my broom and lift it from east and dismiss the quarters. A broom can also be used to cast a circle in a hurry, much the same way a staff can be used. If I know I need immediate protection, I point my broom to east and cast a circle with my broom pointed to the earth, moving in a clockwise direction. This really works if you are in a hurry and need to have some sacred space like NOW.

I also oil my broom handle with my anointing oil 4 times a year during each turn of the wheel. This helps recharge the broom and helps you reconnect with it. It likes to be stroked and caressed. Your broom is a sensuous creature and like to be part of the Divine Feminine.

January–The Month of Janus

January–The Month of Janus

The first month was called Januarius by the Romans, after Janus, the god of doors and gates. We see the same word in janua, the Latin for a gate or opening. From the idea that a door is a way in, an entrance, it became a custom among the Romans to pray to Janus whenever they undertook a new work. He was also the god of the beginning of the day, and it was only natural that when a new month was added at the beginning of the year it should be named after him. During this month offerings to the god were made of meal, frankincense, and wine, each of which had to be quite new.

Since a gate opens both ways, Janus was thought to be able to see back into the past, and forward into the future, and he was usually represented in pictures as having a double head that looked both ways. On the earliest Roman coins he is drawn with two bearded faces, with a staff in one hand, and a key in the other, He was also the protector of trade and shipping, and on some coins his head is shown with the prow of a ship. When people wished to picture him as the god of the year, they drew him holding the number 300 in one hand, and 65 in the other.

Janus was worshiped on the Janiculum (Hill of Janus), one of the seven hills on which Rome was built. Since he was the God of Gates, all the gates of Rome were under his care, especially the archway through which the army marched to war, and by which it returned. This archway was afterwards replaced by a temple which was called Janus Quadrifrons–that is, four-sided–because it was square. On each side of the building there were three windows and one door, making twelve windows and four doors, which represented the twelve months and the four seasons. In times of war the temple gates were kept wide open since people were continually making offerings to the god, but whenever there came a time of peace, the gates were at once closed. As we know the Romans were continually fighting, it does not surprise us to find that the gates of the temple were closed only three times in seven hundred years.

Janus was said to be the son of Apollo, the God of the Sun, whose daily task it was to drive across the sky in his chariot of fire. Each morning when Aurora, the Goddess of the Dawn, had opened the gates of the East, Apollo set forth, and when, his task accomplished, he reached the Western Ocean, he returned to his palace in the East.

“And the gilded car of day
His glowing axle doth allay
In the steep Atlantic stream:
And the slope sun his upward beam
Shoots against the dusky pole,
Pacing toward the other goal
Of his chamber in the East.”
MILTON–Comus.

Apollo had another son, named Phaeton, who one day persuaded his father to allow him to drive the sun chariot. All went well for a time, and then Phaeton, being a reckless boy, began to drive too fast. He soon lost control of the horses, which plunged madly along and bore the chariot far from its track. It went so close to the earth that the fields were scorched, the rivers were dried up, and even the people were turned black–and they are black to this day! The cries of the terrified people attracted the attention of Jupiter, the king of the gods, who became enraged when he caught sight of the daring boy in the chariot of the sun. Taking up one of his thunderbolts, he hurled it at Phaeton, who, scorched by its fire, fell headlong to the earth.

Another sad story told of Apollo is that of his friendship with a youth named Hyacinthus, to talk with whom Apollo used often to come down to the earth. Zephyrus, the God of the South Wind, was very fond of Hyacinthus too, and one day as Apollo and Hyacinthus were playing a game of quoits, Zephyrus came by. Filled with jealousy at the sight of Apollo and his friend, he blew Apollo’s quoit aside so that it struck Hyacinthus and killed him. Apollo was greatly distressed at his friend’s death, and in order that he might never be forgotten, changed the fallen blood-drops into clusters of flowers, which we still call Hyacinths.

“For so Apollo, with unweeting hand,
Whilom did slay his dearly loved mate,
Young Hyacinth born on Enrotas’ strand,
Young Hyacinth the pride of Spartanland,
But then transformed him to a purple flower.”
MILTON.

Another flower which should always remind us of Apollo is the sunflower. A story says that there once lived a girl named Clytie, and that each day, with eyes full of love for the fair sun god, she watched him journey across the sky: but Apollo, knowing nothing of her love, took no heed of her as he passed. Clytie watched for him day after day on a river bank, and her heart sank as each evening she saw his chariot dip down into the West. She would not leave the river bank, but stayed all through the cold night, anxiously waiting for the first flash of the sun’s rays from the glowing East. At last the gods took pity on her, and changed her into a sunflower. Her green dress became green leaves, and her golden hair became yellow petals. Now was she happy indeed, for she knew that she could always see Apollo, and you will find that to this day the sunflower turns its head towards the sun as it moves across the sky.

Aurora, the Goddess of the Dawn, whom we have mentioned as opening the gates of the East for the sun god Apollo, married a mortal, Tithonus, a prince of Troy. In order that their happiness might know no end, Aurora begged Jupiter to grant Tithonus immortality. The wish was granted, but in her anxiety that Tithonus should never be taken from her by death, Aurora forgot to ask also for the gift of eternal youth. As the years went on Tithonus grew old and weak and became only a burden to her. At length, tired of his shrill voice and constant complaints, she turned him into a grasshopper, whose shrill complaining note is known to all.

The name for this month among the Angles and Saxons was Wulfmonath (Wolf month), since it was the time of year when the wolves were unable to find food, and their hunger made them bold enough to come into the villages.

February–The Month of Purification

February–The Month of Purification

This month did not always hold its present position, but was originally the last month in the year. The name is taken from a Latin word, februare, meaning “to make pure”.

In the Palatine Hill, another of the seven hills of Rome, was a cave dug in the rock, and in it stood an image of the god Lupercus covered with a goat’s skin. Lupercus was the God of Fertility or springing into life, and on the 15th of February a great festival was held in his honour. Sacrifices of goats and dogs were made; then the priests cut up the skins of the goats, twisted the pieces into thongs, and ran through the city striking all who came in their way. As in the very earliest times it was the shepherds who held this festival, it is thought that this running about with thongs meant the purifying of the land. The idea of the whole festival seems to have been one of purifying, of a new life, so the name chosen for the month in which it was held was one formed from a word meaning “to make pure”.

There are some who think that Lupercus was the same as Pan, the God of the Shepherds. Pan was said to have been a son of Mercury, but he was not like the other gods; his body was covered with goat’s hair, and his feet and ears were also like those of a goat. He was very fond of music and dancing, and spent most of his time in the forests playing with the wood nymphs–beautiful girls who lived among the trees. One day he saw a wood nymph, named Syrinx, with whom he fell in love, but she was frightened and ran away from him, and when Pan pursued her she prayed to the gods for help. She was at once changed into a clump of reeds, and Pan, in his disappointment, broke off seven pieces of the reed, bound them together, and so made an instrument of music, which was called the Syrinx after the beautiful wood nymph.

The invention of the Syrinx by Pan has been wonderfully described by Elizabeth Barrett Browning in a poem which begins:

“What was he doing, the great god Pan,
Down in the reeds by the river?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat
And breaking the golden lilies afloat
With the dragon-fly on the river.”

This story of Pan and Syrinx reminds us that the Greeks and the Romans imagined the mountains, the valleys, the woods, and the rivers to be peopled with lesser gods and goddesses, whose task of caring for the trees, the flowers, and the grass was appointed them by Jupiter. The woodland gods were known as Satyrs, and like their leader, Pan, were half man and half goat. Another famous satyr was Silenus, who was put in charge of Bacchus, one of Jupiter’s sons, and the God of Wine. Silenus taught Bacchus, and accompanied him on his travels on the earth. The God of Wine rode in a chariot drawn by wild beasts, Silenus following him on an ass, and with them a merry company of nymphs and satyrs crowned with ivy leaves, who danced and sang and made music in praise of Bacchus.

“And as I sat, over the light blue hills
There came a noise of revellers; the rills
Into the wide stream came of purple hue–
‘T was Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din–
‘T was Bacchus and his kin!
Within his car, aloft, young Bacchus stood
Trifling his ivy-dart, in dancing mood,
With sidelong laughing.”
KEATS–Endymion.

Many stories are told of the wood nymphs, as the Goddesses of the Woods were called. One of the most famous is that of the nymph Echo, who fell deeply in love with the beautiful Narcissus, whom she met hunting in the forest. Narcissus, however, took but little notice of her, and Echo’s love soon turned to hatred and anger. She prayed to Venus, the Goddess of Love, that Narcissus might be punished for his hard-heartedness, and then sorrowfully hiding herself among the mountains, pined away until only her voice remained, and in lonely places the voice of Echo still answers those who call.

Meanwhile Venus sought an opportunity for punishing Narcissus by making him suffer in the same way as Echo had done. One day Narcissus, hot and thirsty with hunting, came to a shaded pool, and, as he stooped to drink, saw in the clear water the face, as he thought, of a water nymph. So beautiful was she that Narcissus was filled with love for her, and eagerly stretched out his arms; but no sooner did his hands touch the water than she vanished. He drew back in surprise and waited anxiously till the ruffled water became smooth, when again he saw the beautiful nymph. He spoke to her, and her lips answered him, though he heard no sound; he slowly put out his hands towards her, and her hands came to meet his. Sure now of her love, he tried a second time to clasp her in his arms, but, as before, she vanished. Again and again he strove to seize the nymph, but, each time she escaped his grasp. Amazed, Narcissus sank down by the pool and gazed upon that lovely face, which seemed to mock him, and yet held him there. Apollo and his chariot sank into the Western sea, but the Goddess of the Moon shone on the water and showed the nymph still answering his words and holding out her arms to him. The days passed, and Narcissus, unable to tear himself away, grew pale and weak, watching the face, which also grew pale with despairing love. Thus was Echo avenged, for Narcissus slowly starved himself to death through love for his own image! The gods, however, took pity on him and changed his body into a cluster of flowers, which have ever since borne his name.

We have associated Pan, the God of the Shepherds, with this month, and his name is found in a very familiar word in our language. He took a great delight in frightening travellers by creeping up behind them in the dark, and the fear with which he filled them was called “Panic”.

It is interesting to note that just as the Romans held a ceremony of purification during the month of February, so the Christian Church holds the feast of the Purification of the Virgin Mary on the second day of the month. The feast is called by Roman Catholics, Candlemas, because it is the custom to have a procession in which candles are carried, and it is on this occasion that the candles to be used in the church during the year are consecrated.

The weather at Candlemas is said to show what the weather will be like during the year, and an old proverb says:

“If Candlemas is fair and clear,
There’ll be twa winters in the year”.

The Old English name for February was Sprout-Kale, since the cabbage begins to sprout at this time of the year. It was later changed to Solmonath–sun month–because it is the time when the sun rises higher in the sky and begins to drive away the chill of winter with its glowing rays.

March–The Month of Mars

March–The Month of Mars

This month, originally the first in the year, is named after Mars, the God of War. He was the son of Jupiter and Juno, the king and queen of the gods, and was generally represented in a shining suit of armour, with a plumed helmet on his head, a spear in one hand, and a shield in the other. His chariot was driven by the Goddess of War, Bellona, who also watched over his safety in battle; for the gods often took part in the battles which were constantly raging on the earth. During the great fight between the gods and the giants to decide who was to rule the world, Mars was captured by two of the giants, who bound him with iron chains and kept watch over him day and night. After over a year of captivity he was freed by the clever god Mercury, who succeeded in loosening the chains so silently that the giants heard no sound. Mars also took part in the Trojan War, when he was actually wounded.

Mars was loved by Venus, the Goddess of Beauty, but wishing to keep their love a secret from the other gods, they met only during the night, and Mars appointed his servant Alectryon to keep watch and to call him before the sun rose as he did not wish Apollo, the Sun God, to see them. One night Alectryon fell asleep, and so was too late to warn Mars of the sun’s approach. Apollo saw them from his chariot as he drove across the sky, and told Vulcan, the God of Fire, who caught them in a net of steel, and thus held them prisoner, while the other gods made fun of them. As soon as he was set free, Mars, who was filled with anger against Alectryon for failing in his duty, changed  him into a cock, and driving him into a farmyard, condemned him to give warning every day of the sun’s rising–a fanciful explanation why

    “the cock with lively din,
Scatters the rear of darkness thin”.
MILTON–L’Allegro.

The gods, though they themselves were immortal–that is, could never die, nor even grow old–yet sometimes married mortal, the men or women whom they found on the earth, and Mars fell in love with a beautiful girl named Ilia, who had given up her life to serve in the temple of Vesta, the Goddess of Fire. It was the duty of these priestesses of Vesta to guard the fire which continually burned on the altar of the goddess, for the safety of the people was thought to depend on this sacred flame. No Vestal, as these priestesses were called, was allowed to marry, under penalty of death. Ilia, however, in spite of her solemn promise, consented to marry Mars, and keeping her marriage a secret, continued to live in the temple. In course of time she had two sons, Romulus and Remus. Her father and mother, hearing that she had broken her vow, ordered the full punishment of her crime to be carried out; the mother was buried alive, and the children were left in the forest to be killed by the wild beasts.

Thus Ilia perished, but the children were wonderfully saved, so the story tells us, by a wolf, who cared for them as if they had been her own young. They were soon after found by a shepherd, who took them to his home, where they grew up to be strong and brave men. As soon as they had reached manhood they left their home and went out into the world to seek their fortune. Coming to a beautiful country of hills and valleys, they decided to build a great city; but before they had even finished the outer walls, they quarrelled about the name which was to be given to it when it was built. Romulus lost his temper and struck his brother Remus, so that he fell dead to the ground. With the help of a band of wicked and cruel men like himself, Romulus at last succeeded in building a city, which, called Rome, after its founder’s name, was to become one of the most famous cities the world has ever known.

Romulus became the first king of Rome, but he ruled so harshly that the senators, the chief men of the city, determined to rid themselves of him. During an eclipse of the sun, which darkened the city just at the time when Romulus and the senators were assembled in the marketplace, the senators fell on the king with their swords and slew him. They then cut his body into small pieces, which they hid beneath their cloaks. When the light returned and the people found that their king had disappeared, the senators told them that Romulus had been carried off by the gods to Mount Olympus, and ordered a temple to be built in his honour on one of the seven hills of Rome.

Mars took the city of Rome under his special protection, and is said to have sent a shield from heaven, during a time of plague, as a sign that he would always watch over the city. The Romans, afraid lest the shield should be stolen, had eleven other shields made, so like the first that only the priests who guarded them in the temple of Mars could tell which was the one sent from heaven. These priests were called Salii, the Leapers, because they danced war dances when, during the month of March, the shields were carried in a procession through the streets of Rome.

To Mars, as the God of War, the Romans naturally turned for help in war-time, and a Roman general, before setting out, went into the temple of Mars and, touching the sacred shield with the point of his spear, cried “Mars, watch over us!”

The training-ground of the Roman soldiers was called Campus Martius (the Field of Mars), in honour of the God of War, and it was commonly believed that Mars himself led their army into battle and helped to give them the victory. March was named after Mars because of its rough and boisterous weather, and we find the same idea in the minds of the Angles and Saxons, who called it Hlythmonath–the loud or stormy month. Another name for it was Lenctenmonath, the lengthening month, because it is during March that the days rapidly become longer.