A Sip of Inspiration

A Sip of Inspiration

by Miriam Harline

Invocation/Meditation

You are in a dark room, empty of furniture, a box of wood rough-hewn. The window looks out on night. You smell woodsmoke, though there is no fire. You are cold, and you huddle on the floor, wrapping your arms around yourself.

The door opens, and standing in the doorway is a woman with long blonde hair. She wears a white dress, hanging in graceful folds, and no shoes. In her hand is a white candle, burning. “Rise,” she tells you; you do, and follow her.

Outside hangs black night, a sky dusted with stars, no moon. The ground is cold, frozen hard, but there is no snow. You follow the woman down a narrow path. To either side rise hills, grass tan when the candle shows it. You walk down; the stones under the hills begin to show to either side. Beside you, slowly, rock walls rise.

The walk down turns steep. You smell salt, hear waves crash. The land flattens, and under your feet is sand; you are on the seashore.

Ocean water pours across the sand, a margin of foam at its edge. The candlelight glows, a yellow globe on the water. You follow the woman still; you turn and walk above the surf. It is low tide.

A cliff rises ahead, to your left, and in the cliff you see a black mouth, a cave. It is so dark, black on black, you feel some fear. But the woman walks right up to it, enters the tall mouth, twice her height. You walk after her into the cave, still on hard-packed wet sand; when the tide is high, the cave floor must be covered in water.

The path of sand narrows between rocks; you continue along it. You turn a bend, and behind you can no longer see the sea, but you hear it still, rushing, sighing.

You walk on. To either side rise black walls of stone, occasionally veined with red. Ahead, as the path curves, you see not darkness, but golden light.

You turn another bend, and the cave ceiling rises; you are in a vast room, lit by candlelight. Before you is a line of eight women robed in white, all holding white candles.

One woman steps forward. She is blonde, like your guide, but taller, older, in the prime of womanhood. Her face is still, not smiling, full of pride. “Greetings,” she says. “What is your name?” You tell her.

“Why have you come here?” she asks. Your eyes go wide, because you have no idea; you were waiting, and were summoned, but you do not know why. But your guide steps up and whispers in your ear, “For inspiration.”

You repeat, “For inspiration.”

The woman who greeted you smiles; you have made the right answer. “Very well,” she says. “Come forward.”

All nine women turn, move further into the cave, form a circle. You see in its center a huge cauldron, waist-high, its legs straddling a fire. The cauldron is boiling, and from it rise rainbow bubbles that pop in the air, leaving a smell of spice and honey. “This is the cauldron of inspiration,” your greeter says.

Two women in the circle loosen their hands and beckon to you. You pass by them, and the circle rejoins around you. You stand before the cauldron. “Drink from the cauldron,” the greeter says.

Drink? you say to yourself. But the liquid in it is boiling. I will boil my hands. “Drink,” she says. “That is why you are here.”

You look around, in fear. These people are crazy. Then you catch the eye of the woman who guided you, and she smiles very slightly. You sense there is some magick here. Foolishly or wisely, you lower your hands into the cauldron.

The liquid is just cooler than lukewarm, delightful, like a bath on a hot summer day.

You cup liquid in your palms, raise it to your lips. The smell of spice and honey fills your nostrils. The liquid seems to shine upward into your face, rainbow colors. You sip.

An explosion goes off in your head. You fall backward onto the ground. You see stars, moons, suns, rainbows flare; a stream of firework, many-colored, falls from the sky. You hear music, whispers, laughter; someone close is speaking in your ear, you can almost make out the words….

After a long time, you wake on the floor of the wooden house. All is dark, and your head hurts. But now the house is warm.

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Here Comes the Sun

Here Comes the Sun

by Michael Steward

Satirical, yet useful, home and garden article

The holidays are over. The festivities are ended. After the last decoration is alphabetically filed and boxed away for next year, and the last of the shreds of hand-stamped wrapping paper are finally in the color-coordinated recycle bin, a sense of emptiness ensues. No more extended weekends (except for those government employees who everyone else is jealous of). No more demiglace, gourmet eggnog, or cleverly decorated pagan ornaments.

Looking for that special way to shed light into your life during this dreary northwest post-holiday season weather? Here are some ideas to “Bring In The LightTM“.

Create a special illumination in your home to remind you that the sun is shining just above the clouds — and that you can reach up and pull down some of the much-needed solar warmth.

A Sun shaped talisman hanging from your window is always a good idea. Shavings of different colors of crayons make an excellent stained glass effect when ironed (on low heat) between two pieces of waxed paper. Mount this creation in a sun-shaped frame. Cut out two identical sun shapes from a piece of cardboard. Cover them in gold foil or gold leftover wrapping paper (that you made last season by hand in your basement). Add other crafty effects, such as beads, sparkling pipe cleaners, or tissue paper. Glue the stained glass in the center of the two frames, and hang in a window to remind you of those beautiful summer days not too far away.

You can also bring in the light with an easy painted effect on a boring white wall in your home. While it may seem intimidating at first, creating a feature wall in your home is actually quite easy, and the end result can freshen up any room! I think that yellow is an excellent way to brighten a boring old room. (Yes, YELLOW). Use a true bright lemon yellow. For a full wall you wont need more than a pint of paint. (You can, of course, use any color — but get the strongest version, as we will be watering down the paint in this process for a more subtle effect)

Move furniture away, and protect the baseboards and floor with masking tape and newspaper. In a roller pan mix a half-cup of yellow paint with 3 cups of warm (not hot) water. Mix it well. Keep the consistency opaque, but very viscous. Use a natural sponge with just a bit of paint on it and pat it on your wall, starting in the upper corner. Rotate the sponge continually so as not to leave identical marks on your wall. Spread the paint thin so that the

effect is subtle, yet refreshing. Work consistently from the corner in a fan shape, blending in each section as you go. Use a piece of cardboard to mask off adjacent walls.

In the garden — it’s time to get a start on spring annuals, and preparing for the seasons ahead! Here are the Monthly To-Do’s for the January Gardener:

  • Order seeds
  • Sow seeds of warm-season annuals indoors
  • Sow seeds for hardy spring-blooming annuals
  • Cut back on feeding houseplants (do not feed dormant houseplants)
  • Move living Christmas trees outdoors
  • Plant or transplant frost-tolerant perennials
  • Plant bare-root roses
  • Apply dormant spray to bare-root roses
  • Plant bare-root trees, shrubs, and vines
  • Prune winter-blooming shrubs and vines just after bloom
  • Apply dormant spray to trees, shrubs, and vines
  • Plant bare-root perennial vegetables
  • Sow seeds for cool-season vegetables
  • Protect tender plants from frost

Getting your hands in the dirt is one of the best ways to keep in touch with the earth `s cycle, and connect with the winter season in preparation for spring!

Good luck to you in the coming season! And remember, it’s a Blessed Thing.

Make Beeswax Votives to Manifest Your Desires

Make Beeswax Votives to Manifest Your Desires

by Sylvana

When I first began in the Craft, you couldn’t just go down to Larry’s Market or Fred Meyer’s and buy spell candles, as you can now. Neither could you find witchy stores like Edge of the Circle, Travelers or Odyssey Books. In those days, we made our own spell candles, oils, incenses and tools, or we had things handed down to us and given to us as gifts by our high priest and priestess or coven mates. We also sometimes converted everyday items to our magickal purpose, like the silver dinner bell I still use in ritual today and my antique trivets that serve as wards for our covenstead.

Sometimes, I am glad to have the luxury of purchasing ready-made seven-day candles, like the green “Money Drawing” or “Protection” or the blue and white “Harmonious Home.” But I fondly remember the days when all of us witches made our own candles. This time of year is traditional for the making and blessing of candles, and my coven still gets together at Imbolc for celebration, feasting and to make and bless candles for our coven and personal use. Making them yourself imbues them with your own energy and purpose, as well as making them a more powerful tool for your magick — besides, it’s fun!

If you’d like to create your very own spell candles and don’t have a coven or group to make candles with, this article will tell you how, with a little effort, you can construct and bless your very own magickal spell candles. The instructions following discuss making short spell votives, but you can easily adapt the approach for bigger candles.

You will need:

* A sharp knife or craft knife

* A metal-edged ruler or straight edge

* Small pieces of paper in various colors

* Pens, colored pencils or crayons

* Beeswax sheets in various colors

* Wicking

* Herbs and flowers

* Oils

* Small tokens, coins or stones

* Wax paper

* Cutting board

* Scissors

You can purchase the beeswax in craft stores or candle supply shops; it generally comes in 6-x-9-inch sheets. Look for colors that correspond to your magickal purpose:

* Red: Lust, passion, health, animal vitality, courage, strength

* Pink: Love, affection, friendship, kindness

* Orange: Sexual energy, earth energy, adaptability, stimulation

* Brown: Earth energy, animals

* Yellow: Intellect, mental energy, concentration

* Green: Finances, money, prosperity, fertility, growth

* Blue: Calm, healing, patience, peace, clairvoyance

* Purple: Spirituality, the fey, meditation, divination

* Black: Waning moon, release, banishing, absorbing and destroying negativity, healing

* White: Waxing or full moon, protection, purification, peace, awareness; good for most workings

One sheet of each color wax that you want to use should be enough to begin with, as it will make about four votive-size candles. Fresh beeswax should have a distinctive scent and be soft and pliable, not brittle. Fairly thick cotton (not lead) wick is preferable as beeswax burns fairly fast. Ask the store for recommendations if you’re unsure what exactly to get.

Assemble all of your ingredients and tools, with plenty of room to work. Choose a sheet of beeswax and some herbs or flowers and maybe an oil that are all in accordance with your purpose. To learn more about the associations for herbs, flowers and oils, check tables of correspondence such as are found in many basic books on the Craft. You’ll need only tiny amounts of the herbs and flowers, because if you add too much, your candle will turn into a torch! Also, if you like select an appropriate token or write the candle’s purpose on a tiny piece of paper to add to the candle.

To create a candle, lay a sheet of beeswax onto a sheet of slightly larger wax paper on top of your cutting board. Measure in 2-inch increments down from the top of the beeswax sheet along the edge of the long side, and make a mark on both sides of the wax (see Figure 1). Lay the straight edge along both marks, and cut so that you have about four wax pieces, each about 2 by 6 inches. This will be enough to create at least four votives per sheet of wax, depending on how large the sheet is and how small you cut the pieces. Next, cut a piece of wick about 2&fraq12; inches long, and lay it onto the beeswax along the edge of one side (see figure 2) so that the wick is flush with what will be the bottom of the candle and is protruding from the top by a bit.

Begin rolling the candle by folding the very edge of the wax over the wick and pressing down gently to stick the wax in place (see figure 3)

Then begin to roll the wax firmly around the wick so that it creates a tight roll; once you have one layer of wax around the wick, stop. Sprinkle a tiny amount of herbs or flowers evenly down the length of wax next to the wick roll (figure 4). Place your paper or token inside the candle, near the bottom. Then roll some more, sprinkle some more, brush a tiny bit of oil on at about the middle of the roll and continue until the candle is completely rolled and is about the size of a regular votive candle (figure 5). Seal the wax edge by pressing it down firmly against the candle, while not smashing the candle.

Once you have finished all of your spell candles, do a ritual and raise energy to bless and consecrate them to your purpose. I like the simple blessing following.

A Candle Blessing

Set up an altar with your usual tools, where you can easily move around it. Place your candles on the altar, along with a small amount of wine or juice and a few cookies or pieces of bread. Cast your circle in your customary way. Call whatever elements, gods, quarters and so on that you normally call. When you are ready, raise your athamé or wand to the eastern sky, draw it down in an arc to point toward your pile of candles and say the following:

“Element of air, imbue these candles with magick! Let them carry my intention on the winds and back to me. Infuse them with inspiration and the strength of my will. Thank you for your presence! So mote it be!”

Draw the athamé to the southern sky and down toward the candles, saying:

“Element of fire, energize these candles to my purpose! Bring your warmth and light to me. Let your heat turn reality to my will. Thank you for your presence! So mote it be!”

Turn now to the western sky, and draw the athamé down toward your candles, saying:

“Element of sacred waters, heal my magick. Make my purpose clean, and let my magick flow free. Cleanse all for the best; heal all I touch. Let your healing power flow. Thank you for your presence! So mote it be!”

Turn finally to the northern sky, and draw the athamé toward your candles, saying:

“Element of earth, bring my magick into being. Bless these candles, and let them burn true. Bring grounding and practicality to me. With your deep power please imbue them. Thank you for your presence! So mote it be!”

Ask the god and goddess of your choice (and any other beings that you work with) for their blessings.

Then chant the following, slowly and softly at first, then picking up energy as you go:

“Candles burn oh so bright, bring my desires every night and day. Candles light my magick spell, now draw success my way.”

When the energy has reached its peak, direct it into the candles. Ground out any excess energy. Have cakes and wine, and offer a libation to the elements and gods for their participation. Then close your circle.

Now your magickal spell votives are ready for you to use for your spells or whenever you need them. Have fun, and may all of your magick be wondrous!

Caution: When burning candles, make sure to always place them on something nonflammable and do not ever leave one of these candles burning alone, even for a second, as they sometimes flare up or fall over and can easily ignite anything in range. Be careful also of wearing flammable clothing around these candles!

When Darkness Falls: Cooking and Heating in Winter as Our Forebears Did

When Darkness Falls: Cooking and Heating in Winter as Our Forebears Did

by Catherine Harper

As I write this, we are in the midst of the false spring that is so often January’s mercurial gift to the Pacific Northwest coast. Around the borders of the garden daffodil bulbs are sending up small green teeth. The days are sunny and mild, and my over-wintering broccoli has started to form heads. Is it just coincidence that just as the season tries to so mislead us the seed catalogs begin to arrive? The sunset through the trees beyond my study window has painted the sky the color of salmon, and it is not yet wholly dark, though it would have been at this time only a few weeks before. It’s an easy time to think of Imbolc ahead.

Imbolc is a celebration of first stirrings, new beginnings, gradual lengthening of days and return of the light. In this green country by the sea, where winter’s sleep is never much more than a nap, it might almost be redundant, the transition from grey, rain and green to more of the same with swelling buds. We prune the apple orchards and light a candle (the more faithfully because Imbolc is also my brother’s birthday). It is a restless season, a gradually accelerating rising toward the lighter portion of the year, and as such it can be a difficult time for reflection. And yet reflection sometimes finds us, though we did not look for it.

Recently, our house was without power for several days, and many of our plans were put on hold for that stretch. I was given ample opportunity to think of the passing of the darkest time — even as winter is still with us — and time to think of the small ways in which the light returns to us. Now, we are well set up for such occurrences, and it is not uncommon for us to heat the house and cook our dinner with the wood-burning brick oven. Similarly, we often eat by candlelight. But to fire the oven every day, banking the coals each night and then stirring them to light the fire the next morning, is something else, as it is to read and work out and clean the garage only by the light of candles and oil lamps or the short hours of daylight. What has been at most ritual, and at least conceit, becomes both drudgery and discipline.

By the third day, the eyestrain from the dimmer light even of many candles was feeling ingrained. I had learned to take a hot water bottle to bed with me every night because, while the oven could heat most of the house, the master bedroom is too far, and the bed itself bitterly cold when I first entered it. We swept and washed dishes as much as possible while we still had daylight to see our work by, and brought in wood before going to bed so that it would be there to start the morning fire. Beyond the work itself, which wasn’t excessive, the routine was exhausting — some combination of the cold and the dark and the tedium of normally simple tasks leaving me stumbling with fatigue each night. And yet, in its way, it was deeply satisfying.

In my magical work in and beyond the kitchen, much of what I do is creating a web of connections. I buy the food that is in season to make another link between myself and the turning of the year. I buy from local farmers to strengthen my connection to the land, and from people I know to strengthen my connection with the community. But we all live in and amongst many such webs, if not all of them so deliberately chosen. The pieces of our world — every aspect of our lives — is vastly interdependent, and the electrical networks are one such tangible example of the ways in which we are connected.

If there is something to be learned from building and choosing to put our energy into certain connections and so reinforce them, so is there something very basic and primal about stepping aside from some of the default connections in our lives. The break from my routine, the rhythm of tending the house and heating and lighting it by our own labors, became an opportunity to step back and consider the interconnections of our lives and the routines we had taken for granted. And, of course, a chance to consider a little the lives we might be living had we been given fewer technological blessings. I think for those who are plunged into darkness less frequently by the vagaries of the weather and the electric companies, spending the occasional stretch of time without power, perhaps the length of a meal, can still be a useful exercise.

It is generally assumed that those who are in the magickal community are well equipped with candles, but our uses of them do not necessarily emphasize the efficiency of lighting, so here are a few suggestions:

Most people know that a candle backed by a mirror or other reflector will shed more light. A candle near a white wall will also reflect its light better than one near a dark surface.

Candles much more than two inches in diameter will tend to use up the wax at the center of the candle without melting the wax on the outside, so gradually the wick and flame will drop down below the level of the outer rim of wax. This is pretty and atmospheric, but does not provide especially efficient light. On the other hand, candles of much less than one inch in diameter will burn down quite quickly, which can be useful in spell work, but is annoying for lighting purposes.

Most grocery stores carry large boxes (usually of 72 candles) of Shabbos candles in their Kosher food section. These are plain white four-inch candles that are usually quite cheap, and they are less likely to be sold out during power outages.

I have often seen candle jars used in outdoor rituals, but seldom seen them used indoors in the manner in which we employ them. These are versatile lanterns that can be comfortably carried or set down, provide light in all directions and are fairly kid and cat safe because they can be tipped over without ill effect. To make one, wash and remove the label from a large spaghetti sauce jar or other large glass jar. (Hot water will soften the glue that holds on the label.) Find two candles that are not taller than the jar. Light one candle, pour a few drops of its hot wax into the jar and then quickly stick the bottom of the other candle to the jar bottom with the hot wax. The jar, being glass, allows light to shine all around, and is far enough from the flame that it doesn’t get hot enough to burn your hands when carried.

Oil lamps are a convenient light source, but only the lamps with properly ventilated chimneys are able to provide especially bright light. In my experience the lamps burn best when the wick is at least occasionally trimmed, and the end of the wick is roughened or frayed a bit by rubbing a knife-edge across it. Oil lamps also provide much better light when their reservoirs are full than when they are near empty.

Cooking

I should have known when we bought a house already equipped with a fireplace, woodstove and the built-in barbeque that was later converted into my brick oven that we lived in an area where power supply could be a bit uncertain. Instead, to my surprise, six weeks later we were treated to three days in the dark with a woodstove I hadn’t entirely made friends with and a foot of icy slush on the roads. But the corollary to our frequent outages is that we are well set up to deal with them, with wood stove and brick ovens, lamps, sconces and chandeliers. Most houses, and apartments even more so, are not so well prepared.

Now, I assume people who already have woodstoves, brick ovens, grills, barbeques, masonry cookers and other such relatively expensive fixtures are already fairly well acquainted with their use, but a few tips anyway: If you haven’t cooked over your woodstove, it’s good to keep in mind that most of them that are not built specifically for cooking will provide only the equivalent of low heat from a standard burner unless you fire them very hot. You’ll have better luck simmering a stew than frying an egg on them, and you might want to put a pot of water on top right off so you don’t have to wait later on for it to warm. Barbeques and grills can be used year round in our mild climate, but they should be used outside if you are fond of breathing. (Though one can often use a hibachi or other small grill in one’s fireplace, assuming that the fireplace is large enough to accommodate it and that the draw is strong enough.)

Luckily, the lack of such amenities doesn’t put you out of the running. If you would like to cook over flame, don’t have wood-burning appliances and don’t want to invest in expensive equipment, there are a number of low-cost options. The simplest is the tried-and-true can of Sterno or similar canned heat product. These are readily available at grocery stores and fairly safe for indoor use, unlike most camping stoves, which need a lot of ventilation and should only be used outside. For a few bucks more you can buy a collapsible Sterno “stove” from your local army surplus or camping supplies store, which will shelter the flame and support a cooking pot.

The collapsible Sterno “stoves” or other similar trivets can also be used above tea lights (which are good for warming tinned soup, if less good for more serious cooking, though you can do a bit when you use more than one at a time), alcohol burners or other simple flames. We have been using our fondue burner, which is essentially a small adjustable alcohol burner with a heavy iron trivet, as a general-purpose stove, and it boils water quite readily. Fondue burners can be found at culinary stores, and other types of alcohol burners can be purchased through chemistry supply companies.

Most of these improvised burners will not give you as evenly distributed heat as will most stoves, so you must either use them with thick-bottomed pots that distribute heat well on their own or make soups, sauces and other largely liquid things that will not mind the uneven heat so much. Another good standby is couscous. You can add one part couscous to two parts boiling water and then cover it and let it cook away from the flame entirely (this also makes for fairly fuel-efficient food, which is why couscous is a backpacking favorite).

If you are fortunate enough to have a fireplace, more options are available to you (though if you have attempted to cook over a fireplace without appropriate equipment you already know that other than hotdogs and marshmallows, your options can be rather limited). An open fire is romantic, but to cook over it effectively requires some preparation. First of all, for most things it is much more effective to cook over hot coals than open flame. So you’re often best off building a fairly large, hot fire and letting it burn down before you attempt to cook over it. (For a similar effect you can use charcoal briquettes in your fireplace or add them to your wood fire.)

Next, of course, you need some way of supporting your food over the fire. A spit can be improvised, but is often fairly difficult to manage, especially in modern fireplaces. For the least expensive route, one can rely on the camper’s favorite of wrapping food in tinfoil and setting it among the coals and ashes (not directly in the hottest part of the fire) to cook. “Hobo stew” is a combination of meat and vegetables cooked by this method, a bit of a chancy proposition, but fun, simple, and potentially tasty. Or, most camping supplies stores sell inexpensive lightweight collapsible grills that can fit in your fireplace. These can hold pots and pans as well as grill meat and vegetables.

Of course, if you want to get at all serious about cooking in your fireplace, you should at least look at what is often considered the most flexible of fireside cooking tools, the Dutch oven. It has been claimed, and to a great extent demonstrated, that pretty much any dish from the Western European tradition, and a great many others from elsewhere, can be made in a Dutch oven. The Dutch oven is a heavy cast iron pot with feet that will hold it above burning coals and a rimmed lid that will allow you to place additional coals on top of it. They come in a variety of sizes, and can be used to make anything from wedding cakes to stews to omlettes. Dutch oven cooking is a subject one could write a book about, and indeed many people have. A good place to start if you’re interested in exploring it further is http//www.idos.com, the home page of the international Dutch oven society. (For a more witchy-looking alternative, http://www.actionafrica.com/castironpots.html offers a large variety of cast iron cauldrons that can be used in a similar manner.)

In the end, there is the eating. Almost by definition it is a dinner by candlelight, but it need not be a formal one. We hand out one bowl, spoon, and fork apiece, because bowls are harder to spill food from and more amenable to being held in one’s lap while you sit in front of the fire or curl up with a blanket in the living room. Fewer dishes are a blessing when light and hot water are limited, too. Like the food we make camping, a meal cooked at home over fire is fully realized in its simplicity. Even tinned soup and crackers becomes delicious as our labors give us a more intimate connection to the food and its preparation. Fire, food and hunger are primal things.

Pagan Studies -Smooring Ritual

Pagan Studies Smooring Ritual

 
In ancient times, the hearth-fire was rarely allowed to go out, especially in winter. When the fire had burned down to an ember, it was carefully preserved under a blanket of ashes. In Scotland, this was called “smooring,” and it was done in a ritualistic way. The embers were arranged in a circle divided into three parts, with an ember in the middle known as Tula nan Tri (Hearth of the Three). You can perform this fire magic with three candles, with a fourth in the center symbolizing what you wish to preserve and encourage in the season to come. Close your eyes and pass your hand over the candles, saying:
 
I am smooring the fire
As Bridget would smoor.
The gods’ protection
Be upon the flame.
I will build this power
As I build the hearth
At the dawn of the red sun of day.
By: Sharynne NicMhacha

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GrannyMoon’s Morning Feast Archives

Bringing Adventure into Your Life Spell

Bringing Adventure into Your Life Spell

Sometimes we get caught walking a treadmill in life. We go through our routines and our schedules, and we start to get bogged down. If this is the case with you now, the Sagittarius Moon can help lift you up and remind you to be playful and a little more spontaneous and adventuresome. To prepare for this spell, you will need a space to dance, a stereo, and a good CD. A few red candles are helpful too. On the night of the New Moon, go to the space and put on some music that helps you to get up and get moving. Turn off any artificial light, and light the red candles around the room. As the music begins to pulse with rhythm, allow your body to flow naturally and spontaneously. Call the fire spirits into your room, and ask for their help to feel invigorated and charged in spirit. Let your arms and legs shake off any old ways of being that are holding you down. Close your eyes and search for an inner spark that will help you to explore life more creatively and spontaneously. Let the music take you!

By: Jonathan Keyes

YOUR HEART’S DESIRE

YOUR HEART’S DESIRE

First, gather a fresh rose and two red candles, and find out the time of sunrise
the next morning. Just before you go to sleep, place a red candle on each side
of the rose. The next morning at sunrise, take the rose outside or sit by an
open window facing east, keeping the rose in front of you. Inhale the perfume
and say aloud:

THIS RED ROSE IF FOR TRUE LOVE
TRUE LOVE COME TO ME.

Now go back indoors and put the rose in it’s original position. Light the
candles and imagine love burning in the heart of the one you long for. Keep the
candles lit day and night until the rose fades (if they are extinguished, the
incantation will be broken). When the rose is dead, pinch out the candles and
bury the rose.

Animal Ally Invitation Spell

  1. Choose a local image for your altar, something that represents your ally for you. Use a toy, a photograph or an image. It is more crucial that it resonates strongly for you than that it be a literal depiction.

  2. Surround it with objects or images that would normally be used to lure this creature. A dish of honey, for instance, summons a bear. Make the invitation as strong as possible.

  3. If you can find candles in the shape of your desired ally or its food, add them to the altar.

  4. Grind cinnamon and frankincense together and burn them as a spirit-summoning incense.

  5. In addition to Step 2. offer literal food (a dish of milk for a snake, for instance). Alternately, burn images of appropriate food.

  6. Relax. Let your eyes go slightly out of focus and await visitations.

  7. Try this for up to thirty minutes a day, until you receive results.

Although this spell requests a waking vision, realistically your response may still occur during your dreams have paper and pen by your bedside to record any significant dreams.

 

To Break The Powers of a Spell

TO BREAK THE POWERS OF A SPELL

Ingredients

You Need: black candle, water and a black bowl


Place the candle into the black bowl, fix the candle to the bowl using the wax
drippings from the candle so that it stands alone.
Fill the bowl to the rim with fresh water, without wetting the wick.
Breathe deeply and meditate for a few minutes.
When your mind is clear, light the candle.
Visualize the power the spell cast against you as living within the candles flame.
As the candle burns down, it will sputter and go out as it touches the water.
As it is extinguished by the water, the spell is broken.
Finally, dig a hole into the ground, pour the water into it, then bury the candle.

Lady A’s Spell of the Day for July 20th: To Break The Powers of a Spell

TO BREAK THE POWERS OF A SPELL

Ingredients

You Need: black candle, water and a black bowl


Place the candle into the black bowl, fix the candle to the bowl using the wax
drippings from the candle so that it stands alone.
Fill the bowl to the rim with fresh water, without wetting the wick.
Breathe deeply and meditate for a few minutes.
When your mind is clear, light the candle.
Visualize the power the spell cast against you as living within the candles flame.
As the candle burns down, it will sputter and go out as it touches the water.
As it is extinguished by the water, the spell is broken.
Finally, dig a hole into the ground, pour the water into it, then bury the candle.